Harriet Hammond

Harriet Hammond

Perfil

Harriet Hammond

Películas

There’s Always Hope
Line Producer
Author Jonathan Stack, who has been so obsessed with trying to pen his magnum opus that he’s let his marriage to Samantha, who is also his agent and editor, break down to the point where she announces she’s leaving him for her business partner.
Queen of the Chorus
Mrs. Gordon Trent
A chorus girl falls for a young man pretending to be his boss, a millionaire. WHen his boss returns from a European trip and finds that the woman he loves is engaged to his secretary, complications ensue.
The Seventh Bandit
Dr. Shirley Chalmette
The story of David Scanlon - a former gunfighter turned farmer, who sells the family homestead in favor of adventure in the California gold fields.
Driftin' Thru
The Girl
A drifter hobo is falsely accused of killing a saloon owner
The Man from Red Gulch
Betsy
In the days of the California Gold Rush of '49, Sandy is at odds with his partner, Falloner, over the latter's heavy drinking.
The Midshipman
Patricia Lawrence
Produced under the supervision of the U.S. Navy. James Randall, an upperclassman at the Naval Academy, falls in love with Patricia Lawrence, the sister of a plebe. She is engaged to Basil Courtney, a wealthy reprobate who arranges with Rita to discredit James.
Man and Maid
Alathea Bulteel
Boulevardier Sir Nicholas Thormonde (Lew Cody) has to choose between his mistress Suzette (Renée Adorée) and his virtuous secretary Alathea (Harriet Hammond) in wartime Paris.
Soft Shoes
Mrs. Bradley
Sheriff Pat Halahan comes into an inheritance and travels to San Francisco to collect. Faith O’Day, a cat burglar armed with pistol and flashlight breaks into his hotel room and demands that Halahan cough up his dough. Halahan sees her threat and raises her a one-dollar bet that he can return a brooch she stole earlier the same evening before its loss is discovered. Pulling off his boots to slip on his own “soft shoes,” Halahan sets off to do a little second-story work, not realizing the trouble he’s in for.
Leap Year
Loris Keene
A young man, heir to his misogynistic and millionaire uncle, and in love with a nurse, gets in trouble when he gives advice on marriage to his girlfriends.
Bright Eyes
The Marriageable Daughter
An oil heir and the daughter of a social climbing family are set to marry.
Live and Let Live
Mary Ryan
While on a train trip, Mary Ryan runs into her old friend Jane Loomis. Mary was once a professional thief but is now reformed. Jane tells her that her uncle, Judge Loomis, has invited her to live with he and his family, but that she is planning to elope with her boyfriend instead. When the train arrives at the town where Judge Looms lives, Mary gets off and passes herself off as Jane. Complications ensue.
Astray from the Steerage
The Rich Wife
While an immigrant couple are detained by authorities to see if they're fit, a smuggler tries to sneak a bottle into their luggage, but he accidentally gets trapped inside, and gets sent to the house where the new Americans will work.
Don't Weaken!
Reilly's Daughter
A dancing instructor gets involved with a newly rich family.
Down on the Farm
Herself - in Prologue
The day starts off as any normal day on Roach's farm, where Teddy, the farmhouse dog, is doing more productive work than everyone else combined. But the day changes when Roach's farmhand sees an opportunity to be the knight in shining armor to Louise, Roach's daughter, who he wants to marry.
Up in Alf's Place
The Dancing Pupil
Charles Murray gets caught by his wife flirting with a dancer.
Hearts and Flowers
Pea Shooter's Companion
A flirtatious hotel orchestra leader provokes conflict.
Why Beaches Are Popular
Bathing Girl
This short was a promo piece for Mack Sennett's Yankee Doodle in Berlin
Yankee Doodle In Berlin
Minor Role
Por detrás de las líneas enemigas, el Capitán Bob White se disfraza de mujer para engañar a los miembros del Alto Mando alemán, incluido el propio Kaiser. (filmaffinit) Con Mack Sennett como supervisor y buena parte de su troupe en el reparto (Ford Sterling, Mal St. Clair, Chester Conklin, Ben Turpin, etcétera), no cabía esperar otro resultado como el que se nos ofrece: una brillante mascarada bélica que algunos podrían considerar como un "ajuste de cuentas" de los americanos contra los germanos, pero que a nosotros nos parece que ni siquiera el guionista se planteó presentarla como tal. Se nota que su objetivo principal era pasárselo bomba y, recíprocamente, nos lo hace pasar a nosotros.