Izudin Bajrović

Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.

Sofija, a hostel worker in Sarajevo, has until the end of the week to empty her estranged father's office.

Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

Bosnia, julio de 1995. Aida trabaja como traductora para la ONU en la pequeña ciudad de Srebrenica. Cuando el ejército serbio ocupa el pueblo, su familia está entre las miles de personas que buscan refugio en los campos de la ONU. Como participa en las negociaciones, Aida tiene acceso a información importante.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

A police officer Hamza has to work that night even though his wife has gone into labour, because the police are short-staffed. To make everything worse, it seems that people showing up at the station have decided to prove the old belief about the mysterious powers of the full moon and its influence on human behaviour. In the course of that one night, representatives of all the absurdity and tragedy of life in Bosnia and Herzegovina parade through the station and somehow help Hamza get ready for a new life.

In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.

In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.

During a troublesome shooting of a short art film about a war crime at the location where it took place, three young independent filmmakers discover they are being watched by a stranger.

In a small registry office of a local government department, there is nothing new under the neon lights. The manager of the office and his employees shuffle through the routine. One employee decides to break the status quo.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

Aliya must choose between love and pursuing her dreams in the U.S. Set in the beautiful backdrop of Seattle and Sarajevo, this feature highlights the struggles and triumphs of second generation immigrants.

Widower Amir searches for memories of his wife. Diving into the past, he forgets he also has responsibilities towards his young daughter.

Basado en hechos reales en Eslovenia, en los principios de los años 90. Ana da a luz en el hospital local y todo va bien. Solo hay un pequeño problema con el papeleo: su archivo no está en la computadora. Una pérdida temporal de datos parece deberse a una falla del software, no hay nada de qué preocuparse. A los pocos días, Ana se enreda en una red de burocracia de proporciones kafkianas: no estar en la computadora significa no tener la seguridad social, un reclamo y lo más importante y trágico a la vez, "no tener un bebé". De repente Ana es extranjera, aunque ha vivido en Eslovenia toda su vida. Legalmente, ella no existe. Entonces, su hijo es huérfano. Y los huérfanos se ponen en adopción.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.

What is the true phrase? Heart is where the home is? Home is where the heart is? Bajo (37) is Bosnian-born Swede. After 18 years he has to visit his hometown. Against his will, Sarajevo is changing him. But that does not make him less Swedish or more Bosnian, just more himself. Or simply, home is where you are.

Who left a dead body on a farm of truck driver's of which the best quality milk is made? Who smuggles illegal Betangin tablets? Who set on fire policemen's hands? Why does the ominous rabbit shows up? Two brave but incompetent police inspectors are trying to find out all of this.

The coming-back of a Bosnian studying-abroad girl leads to an unexpected discovery that will slowly erode family relationships.

Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.

En el hotel Europa, uno de los más grandes de Sarajevo, van a recibir a una delegación de diplomáticos europeos para conmemorar el centenario del atentado que inició la Primera Guerra Mundial. En las cocinas se prepara una huelga de los trabajadores, que llevan dos meses sin cobrar. Mientras tanto, una periodista filma un programa de televisión en la azotea y un hombre, que podría formar parte (o no) de la delegación, ensaya un discurso en su habitación.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

Amil Pasic has been working abroad for three years as a freelance photographer. For the first time after a year he comes back to Sarajevo to visit his father Mufid and finds out that a local criminal Bakir is extorting a monthly racket from Mufid which he categorically refuses to pay. Amil suggests to his father to contact the police to no avail. After his father suffers a heart attack Amil decides to take matters into his own hands.

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

The oldest sister is moving abroad for college, and her younger brother and sister start a battle for her little room. They both want to move out of the big room where they sleep with their parents and finally get some privacy.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

Being away for many years, Amir returns to Bosnia and Herzegovina in order to take custody of his parent's remains. They were murdered during the war but their bodies haven't been recovered so far. Amir also decides to visit the place of his birth. There, besides a ruined house, he also finds a forgotten friend and those who know about him more than he knows about himself.

The violent clash encounter between a ticket collector and a drunk without a ticket, in the tram, turns into an unexpected possible friendship.

Luna y Amar son una joven pareja muy unida que intenta superar los obstáculos que surgen en su relación: el alcoholismo de él, la obsesión de ella por ser madre, las dificultades económicas y dos maneras distintas de entender la religión. Tras ser despedido del trabajo por su adicción a la bebida, Amar acepta un trabajo en una comunidad musulmana fundamentalista, bastante alejada de Sarajevo. Pasado cierto tiempo, Luna consigue ir a visitarlo y descubre, en medio de un paraje idílico, un mundo desconocido y lleno de rituales, donde hombres y mujeres viven completamente separados. Le ruega a Amar que vuelva a casa, pero él se opone porque en ese ambiente ha encontrado la paz y ha logrado superar su afición a la bebida.

Hannah Maynard, fiscal del Tribunal de La Haya para crímenes de guerra en la ex Yugoslavia, acusa a un comandante serbio de haber matado a bosnios. Sin embargo, su testigo principal podría estar mintiendo, por lo que el tribunal envía un equipo a Bosnia para investigar.

Illustrates the story of the siege of the Croatian town of Vukovar by the JNA and Serbian paramilitary forces in the autumn of 1991.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

Fuke visits his uncle Idriz and aunt Sabira to fix a broken boiler. He soon finds out there's a lot more that needs to be repaired. Idriz and Sabira aren't ready to accept the loss of their only son in the Balkan war, seven years earlier. When Fuke's car refuses to start, Fuke has to stay over in their house. He meets a lot of old friends and neighbors there.

Two years after the Bosnian civil war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

10 minutes doesn't seem long to a Japanese tourist waiting for some photos in Rome, but a lot can happen in the same 10 minutes for a family in Sarajevo during the Bosnian War.

Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.

An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.

Florentine is a young, beautiful and passionate woman with a desire for love. Feeling abandoned by her husband's impotency, she searches for outside affection and seduction within brief, but often passionate encounters. During this web of desire she encounters Dorothy. Unknown to Florentine she is her husband's accomplice. In this twisted, frenzied fantasy her husband Jake becomes excited and aroused by the seduction of his wife. With his secret darkrooms and two-way mirrors he begins to desire his wife once more. Florentine, with the help of their adopted son, discovers his world of distorted fantasy. Amazed, but realising that Jake still loves her, she must act.

A Bosnian stage play about local guest workers who returned from Germany.