Farouk Afero

This is the story of one of the heroes of independence from South Sulawesi - Wolter Monginsidi. Monginsidi is portrayed as a flamboyant young man, brave and daring yet emotional at times. He and his troops always ambush the Dutch until they are finally caught. His father is persuaded to sign the clemency form, which turns out to be a trap, set up by the Dutch. He receives the death sentence instead.

An athlete juggles her career and love life while an internal conflict within the sports organization gets in the way.

Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.

Rafiq is a dangdut singer who comes to Jakarta to advance his career. Parto, his friend from the same village tries to represent him to different recording companies. But they differ because of Rafiq’s naivete and Parto’s city-style plus Parto’s insistence on pop music, and Rafiq’s dedication to dangdut. So their conflict is resolved by a music expert and student, Norma, who is researching dangdut music, and who eventually becomes Rafiq’s girlfriend. But the person who manages to get Rafiq a record deal is Lily, whom Rafiq meets when working in a car shop. Finally, Rafiq gains Norma’s hand when her parents approve their relationship.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Things spiral out of control for a dissatisfied wife after she cheats on her impotent husband with one of his employees.

Anton is a student leader at his campus. His friends expect him to face the despotism of their lecturer, Yusnita. Anton takes this challenge without considering the risk of falling in love with Yusnita, their biggest enemy.

The evil Sahlan is on the lam after committing a bloody robbery. He decides to both terrorize his actress wife and blackmail a film producer she's working for.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

Poor man Jamal found a gigantic diamond by the river near his house. Is he ready to become rich?

After a long absence, Siti returns to her childhood village to stay with her widowed aunt Nyi Aminah. Siti quickly becomes suspicious of her aunt’s newfound wealth after she sees a necklace that belongs to someone else in her aunt’s closet. Meanwhile, Sulaiman is given the assignment of investigating the deaths of voluptuous women with wounds found on their breasts, plus find out what became of some missing corpses.

Set in the era of Dutch colonialism, Landlord Kedawung is devastated by his first wife’s death. But apparently, her death is something that the second wife, Zubaedah, has been waiting for.

Supinah, a prostitute, is picked up by a kindly rich man, Budi. They fall in love and she recounts how she, as a naive willage woman, was lured into prostitution when she came to Jakarta in search of her husband, who in turns out remarried. Budi wants her to quit her job but her vicious pimp has other ideas.