Mari Tanaka

Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.

A documentary compilation that shows various clips from the Roman Porno series of movies from 1971 to 1988.

This biopic is centered on New Year's Day of 1894, when Kitamura is recovering from a suicide attempt. Japan is then under the spell of fervent patriotism because the government wants to build up public support for a war with China. Kitamura's literary friends and militant comrades come to visit. They wonder why Kitamura wants to kill himself. Kitamura at first refuses to receive them, then he sits down with them and looks back on his days as a civil rights militant, his stormy love life and his ardent but destructive desire to live literature to the full.

Toda, a disillusioned journalist that was once a part of the student movement, recalls his former youth when he meets a confident young woman through his work.

Nikkatsu Roman Porno

Roman Porno from 1973.

Roman Porno from 1973.

Scantily clad female warriors battle thieves to save a small village. Director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series and dressed it up with some of the most popular softcore pinup queens of the day.

A concubine is exiled from the Shogun's harem after she is found guilty of having tried to smuggle a kabuki dancer into the palace for the purpose of an illicit affair. Another conubine believes she has been framed and keeps investigating.

Tormented by his first sexual stirrings, the teenager Isao dreams every night of his gym teacher Ikuko. He finally opens her heart but she rejects his advances. Frustrated, Isao invents all sorts of stratagies to disgust Ikuko´s fiance, a professor of chemistry in the same school. As his plan fails, he plans a radical solution...and the results turns out to be...

A suspense drama that comically depicts the intersection of love, sex, and money between men and women. One day, an affair with Taro Mishima's wife, Itsuko, and his subordinate Akizuki was discovered. Mishima blames them, but the relationship with hostess Noriko is pointed out. After all this, they divorce and each remarry. However, Mishima's carnal desire extended to a young housekeeper Kimiko. Noriko's son Takashi marries his former lover, Etsuko. They start a new life at the residence of Mishima. Two men and three women cross each other under one roof, and a storm of desire blows up.

Nikkatsu Roman Porno.

Roman Porno film depicting the great uproar that the children cause in the division of their property, even before their parents are dead, as they claw at their greed.

Saeko is abnormally attached to her older sister, Yumi. When Yumi becomes engaged to Arikawa, Saeko schemes to separate the two. She seduces Arikawa who then becomes confused over his attraction to both sisters.

Pinku from 1972.

Roman Porno from 1972.

Roman Porno from 1972.

Roman Porno from 1972.

Roman Porno from 1972.

Kyōko is a woman with a promiscuous past who is sexually unsatisfied with her marriage. Her frustrations lead her to have hedonistic dreams, such as her mother and grandfather having sex together. Seeking to rejuvenate her marriage, she throws a wild party. The ploy is a success.

With her wedding only one day away, Mina (Mari Tanaka) spends a night with her former lover Ozaki (Kinji Takinami) at a highway motel on the outskirts of Yokohama. On her way back from her last adventure, Mina’s car hits a hippie-like youth called Ryo (Ken Yoshizawa). Shocked by the accident and, moreover, left alone by Ozaki, who hated to be involved in the trouble, Mina places the unconscious youth in the back seat and drives toward a lake...

Takeshi Ijuin leaves for Chicago to be a cameraman, and a few years later returns to Japan. But he only learned the technique of homicide in Chicago. When he visits the graveyard with his father to pray at his mother's tomb, his father is shot by someone. Now he thirsts for revenge.