Christine
Marie, thirty-five, is in love. Every day she fights for her relationship with Paul, a long-term prisoner, to live within her. An exclusive relationship that nothing should disturb and that it protects from the gaze of others.
(uncredited)
Amelie no es una chica como las demás. Ha visto a su pez de colores deslizarse hacia las alcantarillas municipales, a su madre morir en la plaza de Notre-Dame y a su padre dedicar todo su afecto a un gnomo de jardín. De repente, a sus veintidós años, descubre su objetivo en la vida: arreglar la vida de los demás. A partir de entonces, inventa toda clase de estrategias para intervenir, sin que se den cuenta, en la existencia de varias personas de su entorno. Entre ellas está su portera, que pasa los días bebiendo vino de Oporto; Georgette, una estanquera hipocondríaca: o "el hombre de cristal", un vecino que sólo ve el mundo a través de la reproducción de un cuadro de Renoir.
La belle-fille Pichot
Martin Lamotte made his directorial debut with this French comedy. Building contractor Patrick is unaware that Helene, his wife for 15 years, intends to celebrate their wedding anniversary with a surprise party. She's invited friends and relatives to spend the weekend at their blue house. Elsewhere down the road, at an identical blue house, Patrick and his other love, Elizabeth, the mother of his two-year-old daughter, are planning an engagement party for the son of their neighbor. Neither woman knows about the other, and this sticky situation requires Patrick to rush back and forth from one blue house to another throughout the evening. The story is told in flashback by Patrick -- from his hospital bed.
A film with emphasis on visuals and music, the plot concerns characters who meet in present time, mainly the male gypsy Jesus, and the female thief and con-artist Odona, who share parallel experiences from lives 2000 years in the past. These stories are juxtaposed.
