Nan Goldin
Nacimiento : 1953-09-12, Washington, District of Columbia, USA
Historia
Nancy Goldin (born September 12, 1953) is an American photographer and activist. Her work often explores LGBT subcultures, moments of intimacy, the HIV/AIDS crisis, and the opioid epidemic. Her most notable work is The Ballad of Sexual Dependency (1986), a slide show, which documents the post-Stonewall gay subculture and Goldin's family and friends. She is a founding member of the an advocacy group P.A.I.N. (Prescription Addiction Intervention Now). She lives and works in New York City, Berlin, and Paris.
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Music Consultant
Sigue la vida de la artista Nan Goldin y su activismo contra la dinastía farmacéutica de los Sackler, responsables de la mayor epidemia de opioides de la historia de Estados Unidos.
Producer
Sigue la vida de la artista Nan Goldin y su activismo contra la dinastía farmacéutica de los Sackler, responsables de la mayor epidemia de opioides de la historia de Estados Unidos.
Self
Sigue la vida de la artista Nan Goldin y su activismo contra la dinastía farmacéutica de los Sackler, responsables de la mayor epidemia de opioides de la historia de Estados Unidos.
Director
The Other Side was produced as an homage to Nan Goldin’s transgender friends whom she lived with and photographed from 1972 to 2010. The work celebrates the “gender euphoria” of her friends, in their possibilities for transcendence.
Director
Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.
Editor
Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.
Self
A medida que Nueva York se convertía en el epicentro de la crisis del SIDA, el arte de David Wojnarowicz se volvía más airado y franco, y su poderosa forma de ver el mundo tuvo un increíble impacto en la lucha para los derechos de los homosexuales. En esta exploración de su vida, a modo de collage Chris McKim mezcla hábilmente sus cuadros, fotos, películas, mensajes y conversaciones grabadas con recuerdos de amigos y familiares.
Editor
Goldin’s first work made up solely of found-footage video, Sirens assembles clips from movies by the likes of Kenneth Anger, Lynne Ramsay, Michelangelo Antonioni, Henri-Georges Clouzot, and Jack Smith, as well as wild documentary footage from the Manson family. Sirens was inspired by Donyale Luna, the first Black supermodel, who overdosed at the age of 33.
Director
Goldin’s first work made up solely of found-footage video, Sirens assembles clips from movies by the likes of Kenneth Anger, Lynne Ramsay, Michelangelo Antonioni, Henri-Georges Clouzot, and Jack Smith, as well as wild documentary footage from the Manson family. Sirens was inspired by Donyale Luna, the first Black supermodel, who overdosed at the age of 33.
Documentary portrait of the New York photographer Nan Goldin.
Director
A slideshow shot in Greece showing children singing obscure songs.
Director
Sisters, Saints, & Sibyls, a landmark new multimedia installation that focuses on the experience of “women who are trapped, literally and figuratively, in both psychological and mythical contexts.” Thematically, the three-screen-installation explores Goldin’s personal narrative of her sister Barbara’s institutionalization and suicide at an early age, presented alongside tracings of both the mythological history of Saint Barbara and the artist’s own contemporary history of hospitalization.
Director
Heartbeat está compuesta por quince fotos montadas y tres slideshows, que incluyen su celebérrima obra The ballad of sexual dependency.
Self
The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.
Other
The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.
Herself
This documentary features Nan Goldin’s celebrated 1996 mid-career photography retrospective at the Whitney Museum of American Art. Goldin’s exhibition filled an entire floor at the Whitney Museum with pictures that chronicle her involvement and fascination with the alternative, “downtown” culture of New York City, Boston, Berlin, Tokyo, etc. Culled from a period that spans more than 25 years of taking pictures, Goldin’s desire to make a visual diary of her friends and lovers, as well as her own life, makes for a moving, highly charged, visual experience.
Self
Considered the most intimate portrait of life & work of American photographer Nan Goldin. Collaborating with British documentary director Edmund Coulthard, the film also paints a sharp portrait of a generation, reconstructing disquiet from the extraordinary biographical account of the photographer.
Director
Considered the most intimate portrait of life & work of American photographer Nan Goldin. Collaborating with British documentary director Edmund Coulthard, the film also paints a sharp portrait of a generation, reconstructing disquiet from the extraordinary biographical account of the photographer.
Under Lock and Key is the single-channel version of an installation that premiered at the Wexner Center for the Arts in 1993. Using the "talking head" confessional as a stylistic device, B creates a social and psychological narrative wherein the act of speaking becomes therapeutic affirmation. B asked individuals who had suffered domestic violence to compose and read letters to those who had abused them. Their stories, addressed to their abusers and spoken directly to the camera, are intercut with comments by serial killer Ted Bundy and quotes from convicted murderer Jack Henry Abbott's prison memoir, In the Belly of the Beast.
Still Photographer
The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.
Still Photographer
A woman is hired to transcribe an ancient Chinese manuscript. She finds that little by little, the manuscript has powers that begin to take over her life.
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
Cinematography
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
Director
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
Nan
Una joven reprimida desarrolla una fascinación por la pornografía y el voyeurismo mientras vende entradas para películas para adultos.
Still Photographer
A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...
accident victim
A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...
Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."
