Producer
Following her father's puzzling disappearance, Kate and her city-bred companions brave the untamed backwoods in a desperate search for him. However, the harsh environment becomes a dangerous catalyst for their explosive mix of personalities, propelling them into a world of raw emotion and unbridled passion.
Producer
Two girls turn down two boys for more prosperous, motorized dates. In anger, the two teenage boys steal a car, booze up and accidentally meet up with the girls. The drivers of the two cars challenge each other, and a wild race starts that ends up with a horrifying accident. A fictional film, it dramatizes a situation where pride, alcohol and wheels combine with disastrous results.
Producer
Elizabeth Bagshaw was a forerunner of the women's movement. As one of the first women to practise medicine in Canada, she had to overcome society's bias against women in medicine. During her seventy-year career she helped to instigate change in public opinion on that issue, as well as the issue of birth control. The film captures the personality of this remarkable woman through a contemporary interview and re-enactments of episodes from her youth. The sepia tones of the re-enactments are in keeping with the film techniques of the time, giving the viewer a strong sense of the period. The film is of special interest to persons interested in the evolution of women's roles in Canadian society.
Producer
This short documentary offers a humorous look at horse-pulling contests in Ontario and the people who prepare for them. We travel from the farm to the contest, where excitement runs high and the quips do not lack in local colour. Which of these magnificent creatures will be able to pull the heaviest load and win the prize?
Director
A documentary on the war in South Vietnam shot entirely on location. There is no narration and no use of archive footage. The participants speak for themselves. The filmmakers spend time with units from many services: army, tanks, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack on a Viet Cong bunker complex. There are many scenes both of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. One American informant says that the Vietnamese peasant is not interested in ideology, but in social justice, a piece of land, fair taxation, and to be left alone. Some interviews are used as voice-over. Participants, American and Vietnamese, are very natural, with little or no posturing for the camera. There are scenes of dead Viet Cong, and one showing a VC suspect being drowned to aid interrogation.
