Midori Komatsu
Nacimiento : 1891-09-09, Tokyo, Japan
Muerte : 1982-10-26
Historia
Komatsu Midori was born in Tokyo in 1891. From the age of five she studied at the Bando dance school and in 1911 joined a female theater which had just been formed, the Nakasu Masagoza. In 1912 at the age of 21 she made her stage debut. In 1913 upon the invitation of Shochiku Gomei, she participated in the female theater group the Kyoto City Second Kyogoku Taishoza where she continued her activities until 1915, when she chose to take the path leading towards action pictures. In 1919 she negotiated with Kunikatsu films and the following year joined the company. She was aiming to be a real movie star. At Kunikatsu she appeared in Shoshurei, Minashi Go and Chishio no Naruto. After the Great Kanto Earthquake of 1923 she joined Shochiku Shimogamo. She concentrated mainly on period dramas such as Nichiren Komachi, Yoshii Masayuki and Kane no Naruhi (The Day the Bell Tolls). In 1925 she transferred to Nikkatsu Daishogun Studios and appeared in Nakayama Yasubei, and Rakka no Mai. From this time onward she came to be in demand for elderly roles and the roles of mothers. From the 1930s she built up a portfolio of supporting roles, and then taking a professional name in the Wakayagi school of dancing, she took on the responsibility of choreography for the Nikkatsu Period Drama Theater. In 1942 she transferred to Daiei. She then concentrated mainly on period dramas until her retirement in 1964. She died in 1982 at the age of 91.
The beginning of the Showa period. A town in the Kanto region. During the autumn festival, a car from Daihoji Senzo hit a child and left. Upon hearing this, Shogoro Chiba's boss tried to pay for the medical treatment of Kenbo, but Senzo ordered his child Gentaro to claim damages to the car and ruined Shogoro's gambling house.
After being bailed out of trouble by a member of the Kaijima Clan, Ryuhei dedicates himself to saving the Kajima’s lucrative lumber business.
A Japanese film
Pinku from 1965.
Proprietress of the Inn
Pinku from 1965.
старуха
Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).
Un hombre honesto se une a los Shinsengumi por respeto a su líder y porque quiere vivir y morir como un samurai. Sin embargo, a medida que su participación en el grupo aumenta, la realidad y el idealismo entran en conflicto mortal.
Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.
The cabaret «Romance», run by Masami Daisaku's father, is experiencing financial difficulties, and Masami is betting on changes and asks singer Hibari Misora to perform. Musical youth comedy with young actors, passion, funny songs and laughter. Hibari Misora appears as herself.
Aya
A traditional bar mistress in Kyoto clashes with her Tokyo rival.
Auntie of Toshodaiji Temple
In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.
Old lady in tea house
Adaptación de una obra de teatro (kabuki) del siglo XVII de Chikamatsu Monzaemon. Osan vive en Kioto y está casada con Ishun, un rico y tacaño funcionario. Cuando Osan es acusada falsamente de tener una relación con Mohei, ambos huyen rápidamente de la ciudad. Ishun, por su parte, ordena a sus hombres que los encuentren y los separen para evitar el escándalo.
Okanu
Yukiko es una estudiante de música que, después de un intento de suicidio, vuelve con su madre, Hatsuko, una viuda que regenta una casa de geishas. El joven doctor Matoba, que mantiene un affaire con Hatsuko, se siente atraído por Yukiko. Ella, al principio, lo rechaza, pero sus sentimientos van cambiando y llega incluso a enfrentarse con su madre.
Harbour's lady
A finales de la Era Heian en el siglo XII, el gobernador de un pueblo es enviado al exilio. A pesar de que su familia quiere ir con él, ninguno podrá acompañarle, pues, engañados por una vieja que se hace pasar por sacerdotisa, son vendidos como esclavos por separado: la madre por un lado y los hijos por otro.
The Lord of Okazaki is killed by his brother-in-law. Although the Lord's widow bears a child, she is also killed. Then, a ghost cat begins stalking in the castle.
Oume
La joven y bella Eiko ha ido a refugiarse a un barrio de Kioto, a casa de Miyoharu, una geisha con muy buena reputación de la que Eiko quiere aprender. Ambas se hacen inseparables, pero una noche Eiko muerde a un cliente y las dos deben abandonar el barrio.
Horror film directed by Minoru Inuzuka.
Hostess
Shinnosuke acepta casarse con Shizu con tal de poder estar cerca de su hermana Oyu, viuda y madre de un hijo. Las costumbres japonesas prohíben que Oyu se case porque su deber es educar a su hijo para que llegue a ser el jefe de la familia de su marido. Entre los tres se creará un extraño vínculo. (FILMAFFINITY)
The film recounts the tragedy of a young outlaw.
Lost film, directed by Tomu Uchida. This film is a very funny comedy that makes fun of the moral code of the samurai Bushido, which has become obsolete and turned into an empty form during the period of feudalism.
Okatsu
Yaji and Kita: Yasuda's Rescue is a 1927 black and white Japanese silent film directed by Tomiyasu Ikeda.[1] This comedy film showcases the comic talent of Denjiro Okochi, which contrasts markedly with his heroic performance in Oatsurae Jirokichi Koshi. The humorous exchanges with Goro Kawabe, his senior at Nikkatsu, can be priceless, with the expressions and movements of the two goofy characters making for pure, hilarious slapstick comedy. A 15-minute remnant of the film was released on DVD by Digital Meme with benshi accompaniment by Midori Sawato and Ryubi Kato.
Directed by Kichiro Tsuji.
A captivating operetta by Masahiro Makino based on Juppensha Ikku's humorous novel "Tōkaidōchū Hizakurige" starring Chiezo Kataoka and Kyoji Sugi.
