Michal Bat-Adam

Israel 1948. A house by the sea in Jaffa, from which Palestinian families have had to flee in haste, becomes the home of Jewish survivors who managed to escape the inferno in Europe. Out of the turmoil of their existence, under the shadow of the unresolved conflict between Jews and Arabs, rises a desperate cry for.

Romantic drama about a young woman discovering herself through the art of acting.

Romantic drama about a young woman discovering herself through the art of acting.

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

Autumn 1996. Avner, a highly-regarded Professor of Arts and his young wife, Ilana, come to visit the family farm run by Rachel and Shouki, (his children from a first marriage) and Menahem (the brother of his deceased first wife). Avner is in pain and needs a doctor. Rachel calls up Joel a physician and a friend of the family. Joel and Ilana are having a secret relationship that began during a previous visit to the farm. Menahem is in love with Ilana and Rachel with Joel. They are unaware of the love affair between Ilana and Joel. Avner came this time to the farm with a proposition to sell the farm. This brings all the latent conflicts in the family to break loose. The movie, inspired by Tchekovs "Oncle Vania", is above all an Israeli story. It depicts the weariness, the frustrations and pain of large segments of Israeli society, their love to the land and to one another, their dreams and their hope.

The director writes a script. Characters from her past and characters she meets on the street and elsewhere, sneak into the story and take control of her. As she writes, she sees herself in all female characters and her close friend Gadi, who is an actor by profession, in all male characters. Writing the script gives the director a chance to take a fresh look at the life and destiny she creates, life, which is actually her life, and it gives us a chance to take a look at the sources of inspiration and the creative process.

The director writes a script. Characters from her past and characters she meets on the street and elsewhere, sneak into the story and take control of her. As she writes, she sees herself in all female characters and her close friend Gadi, who is an actor by profession, in all male characters. Writing the script gives the director a chance to take a fresh look at the life and destiny she creates, life, which is actually her life, and it gives us a chance to take a look at the sources of inspiration and the creative process.

Renowned Israeli filmmaker and actress Michal Bat-Adam produced, wrote, and directed this intriguing tale of romantic obsession in present-day Tel Aviv. The beautiful Michal Zuaratz stars as a young female photographer infatuated with a stranger whose image she accidentally captures on film.

Love, family expectations, and religion mix in 19th century Jerusalem. Jacob and Rebecca marry; he's a rabbi, she's dutiful and loving. But she has no children. Months become years. Although Jacob is content, his mother reminds everyone she is waiting for a grandson. After 15 years, Rebecca determines that Jacob must take an additional wife, the young and beautiful Sultana. Rebecca fasts and prays, and in a state of near ecstasy, persuades everyone involved and then arranges an elaborate wedding. However, Sultana does not conceive, and Rebecca watches helplessly as Jacob's affection shifts to Sultana. She's near madness and the household is in turmoil. What can Rebecca do now?

Aya is a woman who, since early childhood, has been driven by her father's ambition to see her become successful. Now she is shooting a film and fragments of dreams and fantasy alternate with reality.

Aya is a woman who, since early childhood, has been driven by her father's ambition to see her become successful. Now she is shooting a film and fragments of dreams and fantasy alternate with reality.

Nina (Fanny Ardant) is a French concert pianist, Ilan (Sharon Alexander) is an Israeli computer specialist visiting Paris. A romance springs up between them, and they get married. Not long afterward, Ilan is called into the Israeli army to serve his obligatory tour of duty. Things are heating up with Saddam Hussein (it is just before the Gulf War), who has just invaded Kuwait. Nina receives a call from the military informing her that her husband was wounded in combat. She rushes to his side and soon discovers that he was wounded by Israeli soldiers while he was in the process of deserting his post. It is clear from his own zombie-fied behavior that this allegation is true. Despite this horrifying revelation, she still loves him, but becomes increasingly estranged from the society around her because she feels shunned. On top of all this, she must soon make her concert debut with the Israel Philharmonic.

The Bukharan neighborhood of Jerusalem in the 1920s Naftali is a wealthy trader and a middle-aged widow whose all his former wives have mysteriously passed away and he is afraid to remarry with a belief that he has a curse on him. The matchmaker presses and the old woman coaxes and finally carries Flora, a 24-year-old virgin, but not to infect her with a curse, he avoids any physical contact with her. The plot gets complicated when Flora gets hurt as a result of her relationship with the fabric merchant, and Naftali, who can't bear the shame, turns his anger on his young wife.

The Bukharan neighborhood of Jerusalem in the 1920s Naftali is a wealthy trader and a middle-aged widow whose all his former wives have mysteriously passed away and he is afraid to remarry with a belief that he has a curse on him. The matchmaker presses and the old woman coaxes and finally carries Flora, a 24-year-old virgin, but not to infect her with a curse, he avoids any physical contact with her. The plot gets complicated when Flora gets hurt as a result of her relationship with the fabric merchant, and Naftali, who can't bear the shame, turns his anger on his young wife.

This is the true story of an Israeli civilian who was recruited into Israel's Secret Intelligence Agency to become a spy in Damascus, where he spent years infiltrating the Syrian political establishment. Israel's national hero, Eli Cohen, successfully entered the upper echelons of the Syrian government as a double-agent. The secrets he obtained became crucial in Israel's victory in the 1967 Six Day War.

Adam is trying to fix his marriage but both his wife Asia and teenage daughter Dafi are too busy with their lovers.

Adam is trying to fix his marriage but both his wife Asia and teenage daughter Dafi are too busy with their lovers.

Adam is trying to fix his marriage but both his wife Asia and teenage daughter Dafi are too busy with their lovers.

Oriente Medio es un polvorín a punto de estallar. Israelíes y palestinos viven en estado permanente de guerra, aunque hay indicios de que están dispuestos a negociar. Un embajador norteamericano será el intermediario. (FILMAFFINITY)

Atalia is a 40-year-old widow who lost her husband in the Six-Day War and lives on a kibbutz with her adolescent daughter. Lonely and feeling outcast, she enters into a forbidden affair with her daughter's classmate, Matti, an idealistic 19-year-old rejected by the army.

Hanna Kaufman, es una judía nacida en Estados Unidos y de nacionalidad francesa, pero quiere ser israelita. Poco después de casarse con Victor Bonnet, lo abandona y se va a un kibutz en Israel con un poeta que pronto se cansa de ella. Se instala entonces en Jerusalén y termina la carrera de derecho que había empezado antes de casarse. Josué Herzog, el fiscal general, le ha asignado la defensa de Sélim Bakri, un inmigrante ilegal. Se celebra el juicio y a Sélim lo deportan al Puente Allenby. Hanna que está separada pero no divorciada, se queda embarazada de Josué. Desesperada, llama a Víctor, que sigue enamorado de ella y que no duda en tomar el primer avión para ir a verla. Pero llega en el momento en el que a Hanna la reclama de nuevo Sélim, que ha vuelto a ser detenido, pero esta vez con 2.000 dólares y un informe que contiene todos los títulos de propiedad de la casa que lleva años reclamando.

When ten-year-old Aya is left at a kibbutz where children are housed by age instead of gender, not only does she have to get used to dealing with a lot of children, making friends and enemies, she also has to get used to sharing her room with boys... and sharing the showers with them too.

When ten-year-old Aya is left at a kibbutz where children are housed by age instead of gender, not only does she have to get used to dealing with a lot of children, making friends and enemies, she also has to get used to sharing her room with boys... and sharing the showers with them too.

Explores the relationship between an eleven-year-old daughter and her ailing mother, who is losing a grasp of reality in the surrounding environment of insensitivity and cruelty.

Explores the relationship between an eleven-year-old daughter and her ailing mother, who is losing a grasp of reality in the surrounding environment of insensitivity and cruelty.

Who is Milena whose arrival is announced to Sophie and Nicolas by postcard? The train from Prague brings for three weeks, the time of a visa, this young Czech and his bag stuffed with forbidden texts, marginal films and music. She will strive to make them known with the help of her new friends.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Madame Rosa es una exprostituta judía de unos 70 años que se gana la vida acogiendo en su casa de París a los hijos no deseados de las prostitutas del barrio. Cuida a doce chiquillos, a los que sus madres visitan cuando pueden y le entregan algo de dinero. Pero hay cuatro por los que no recibe dinero alguno, como Momo, un chico árabe de catorce años. Sabiendo que su salud y sus recursos se están agotando, Madame Rosa le confiesa al chico sus problemas, pero, al mismo tiempo, muy preocupada por su tristeza, llama al médico, que le dice que el único problema del muchacho es la falta de afecto. Como Momo no es admitido en la escuela, tiene que buscarse la vida en la calle. (FILMAFFINITY)

The Biblical love story of Rachel and Jacob is adapted for the screen as Rachel's father forces them to wait seven years before they can marry, but fate intervenes as Rachel's sister sleeps with Jacob and bears him a child.

A fatherless family immigrates to Israel from Egypt during the British Mandate period. The film traces the hardships the family suffers in the politically unstable country.

This story centers on the Jewish practice that requires an unmarried brother to marry the childless widow of his dead brother. In this story the younger brother is only 12 years old when his brother dies. The requirement is avoided by a legal fiction, but as time passes in the story, the situation changes.