Miloš Willig

1974 Czechoslovak drama film directed by Karel Steklý.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

The bank officer Bedrich Hroch is sent by the bank director to the zoo, which asked an allocation of one and half kg of gold for a gold tooth for a hippo. During the check up of the hippo's teeth Bedrich is swallowed by the hippo. The man does not die in the hippo's guts and he chats quite happily with his frightened wife Dása. Journalist Pip Karen, his friend is also present to the dialogue and he has immediately an idea how to use this special situation. He tells to the new minister Borovec and his opponent professor Fibinger that there is a hippo in the zoo which can speak. He also tells them how to use this situation for a political propaganda.

In the thick woods at the edge of the Bohemian Forest, two border guards are keeping watch - rifleman Kucera (Rudolf Jelínek) and dog handler Stencl (Josef Hajducík), whose sluggishness and clumsiness have won him the nickname Simpleton. The official army dog, the bitch Líza, picks up the scent of an alien dog on the German side - Black Wolf. She bites through her leash and runs away. Soon afterwards, the border boundary was interrupted. The two soldiers are wounded in the gunfire that follows, but Stencl's shot also hits the target and the intruder - an attractive woman in a black jersey - is dead. The investigation reveals that this agent knew someone among the local residents. The locals are all called in to identify the body but nobody admits to knowing the woman.

After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.

In the Prague Old Town and the adjoining streets there is always plenty of life. Housewives shop, beggars arouse sympathy, the Salvation Army tries to put the godless on the road to salvation by hymns and sermons, and Ferdys Pistora hunts in the pockets of his fellow men and isn't even put off by the presence of an officer of the law. Ferdys sets off to burgle villa of the banker Rosenstok, but a fire breaks out in the house and Ferdys ends up saving the banker's two small children. For this he is celebrated as a hero and gets a place as an errand boy with the Rosenstoks. At home he is visited by representatives of the Salvation Army, Captain Kosterka and Terezka, with whom Ferdys instantly falls in love.

Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.

1945, Checoslovaquia. Después de la II Guerra Mundial, se producen masivos movimientos migratorios que alteran el mapa étnico de Europa de forma irreversible. Viktor forma parte del grupo de checos a los que les han sido adjudicadas en los Sudetes tierras pertenecientes a alemanes que, antes de ser expulsados, se ven obligados a trabajar para los checos recién llegados. De este modo, Viktor conoce a Adelheid Heinemann, la hija del dueño del palacete que ahora es de su propiedad. En un mundo devastado por las diferencias étnicas y la violencia nacerá entre ellos un amor surgido del dolor más profundo.

Basada en textos reales sobre juicios inquisitorios, esta película tiene como argumento el narrar las atrocidades que cometía la Inquisición sobre personas inocentes, y que por alguna razón eran catalogadas como brujas, herejes ó hechiceros.

Twelve-year old Kosta, a little boy of an overactive imagination, makes friends with equally sensitive eleven-year old Blanka. Fantasy leads the two children to the forgotten attic in the house of Blanka's parents. For them, this is the forbidden "thirteenth chamber," and to Kosta, an old glass vase becomes a magic ball with the help of which he can play his favorite play "on fate". The children observe the adults and unconsciously sense that something has gone wrong in Blanka's family. Her dad is a physician and her mother is not happy with him, still recollecting her former wooer Petr who left for India upon his graduation.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

El conflicto entre razón y fe, la ausencia de Dios y la mentalidad pagana fue el eje argumental de una de las películas más recordadas de Frantisek Vlácil: El valle de las abejas.

In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

The happenings in a shoe factory serve as a not very thinly veiled examination of the pros and cons of both socialism and democracy.

Cooperative members are harvesting crops, trying to get new water piping installed and preparing to plough away the field boundaries in autumn. Local kulak Voznica (Vladimír Repa) doesn't like any of this so he forces sexton Kodýtek (Vlasta Burian) to help him sabotage their efforts.