Jeremy Beiler

Jeremy Beiler

Nacimiento : 1982-07-29, Madison - Wisconsin - USA

Historia

Jeremy Beiler was born and raised in Madison, Wisconsin. Although Making Revolution (2003) is his feature film debut, his true roots in screen acting come from "Free Love Forum," a sketch comedy show on a low-budget cable access station in Madison which he and his high school buddies did from 1997-2000. As of 2004 Jeremy is a senior at Columbia College in Chicago.

Perfil

Jeremy Beiler

Películas

The Maya Rudolph Show
Writer
Maya Rudolph's take on the variety show special with guest stars in the vein of the Carol Burnett Show.
The Maya Rudolph Show
Y Guy
Maya Rudolph's take on the variety show special with guest stars in the vein of the Carol Burnett Show.
Men in Black 3
Hotel Doorman
La película comienza con la fuga de un extraño y poderoso extraterrestre llamado Boris el animal. Es el último superviviente de la raza alienígena boglodita, que sobrevive mediante el ataque, toma, y ocupación de otros planetas habitados. Boris es un asesino, que fue capturado por el agente K y encarcelado en una prisión secreta en la Luna. K también pudo desplegar un sistema de defensa (denominado "Arca Net"), y evitar una invasión boglodita, logrando así su extinción. Sin embargo, Boris logra burlar la seguridad y destruir gran parte de la cárcel, para escapar y vengarse de K.
Morning Glory
Daybreak Producer
Cuando Becky Fuller, una enérgica productora de televisión, es despedida de su trabajo, su vida profesional se hace tan sombría como su vida sentimental. Su siguiente trabajo será sacar a flote un magazine matinal y para ello contrata a Mike Pomeroy, un famoso periodista de televisión caído en el olvido y adicto al alcohol. Una comedia sobre el mundo de la televisión producida por J.J. Abrams para la Paramount.
Making Revolution
Alistair McCormick
In August of 2001, a group of disillusioned college students calls a world summit to counter apathy of their privileged generation and unite a splintered activist front. Lured by the promise of free food and booze, hundreds of young people descend upon a borrowed country estate to drink, use drugs, have sex and swap politics. Anticipating an event of historical significance, two aspiring filmmakers solicit a grant from a soft drink company to document the event as it unfolds. Their footage vividly illustrates the different agendas and perspectives in attendance. As the organizers sink deeper into the logistical nightmare of managing a modern revolution the filmmakers bear witness to the group's loss of confidence in their ability to change the world.