Mary-Joan Negro

Tras ser despedido del banco en el que trabajaba, David es abandonado por su prometida Sara. Jack, su mejor amigo, intenta convencerlo de que es lo mejor que podía pasarle. Sin embargo, lo peor está por llegar: el banco es atracado y millones de dólares desaparecen.

With his father having an affair and his family growing apart, young Dave (Peter Haderlein) starts having conversations with the moon (Art Gilmore). When his relatives, psychologist (Castulo Guerra) and teacher (Mary-Joan Negro) think he's going crazy, Dave attempts to prove his new friend is real. This independent coming-of-age movie is a wholesome and heartwarming tale for the entire family.

In New York two detectives of the 87th precinct are initially baffled by the brutal, ritualistic slayings of several young women. Through good detective work and clues left at the crime scenes by the psychopathic killer, they are able to deduce who the killer's next victim will be. A tense chase ensues as they try to prevent him from continuing his bloody rampage

Dominick y Eugene son dos hermanos gemelos que viven juntos y se cuidan mutuamente. El primero, que tiene un ligero retraso mental debido a un accidente en su niñez, trabaja como basurero para poder pagar los estudios de medicina de su hermano. Últimamente la relación no pasa por su mejor momento y Eugene se está planteando decidir entre la devoción hacia su hermano o su necesidad de completar su formación. Cosas como la influencia del compañero de trabajo de Dominick o la aparición de una chica en la vida de Eugene, tampoco ayudan a aclarar el panorama. (FILMAFFINITY)

A school takes on a troublesome boy from juvenile hall, in order to try to help him settle back in to normal life. But everything seems to be mounted against him, including a drunken mother.

An elderly woman, a former aviatrix, is gradually recovering from a stroke.

Two brothers take over the family seafood business, and battle each other for control of the company - and their father's attention.

A happily married family man, owner of a parking garage in Manhattan, drifts into a romance with one of his customers who has been having troubles with her lover.

William Saroyan's Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other's lives, giving voice to Saroyan's philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play's prologue.