Producer
On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.
Writer
On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.
Director
On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.
Director of Photography
On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.
Executive Producer
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Publisher
After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.
Co-Producer
The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.
Producer
Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.
Story
Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.
Screenplay
Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.
Co-Producer
An ageing proprietor of a technology company has dedicated his whole life to his work, so it comes as a big blow when things suddenly start to fall apart at the seams.
Co-Producer
The Hanuliaks, a couple from Slovakia, have decided to bring up their son according to Kamevéda, a complex approach to developing the child’s motor abilities and intellect. Unique in its depth of focus, this reflection on child-rearing documents a year in the life of four-year-old Miško, where not a minute is wasted since there is no room for boredom and moments of rest are merely preparation for the next achievement.
Producer
La Iglesia Católica atraviesa un momento complicado en Checoslovaquia a principios de los años 80. El régimen comunista amenaza con destruir la institución y la somete a un estricto control, por lo que se ve obligada a aceptar ciertas restricciones relacionadas con la libertad de creencias y de expresión. El clérigo está dividido entre la "iglesia de las catacumbas", que mantiene el contacto con el Vaticano y con la prensa occidental, y la "jerarquía eclesiástica", que coopera con las fuerzas del poder y está representada por sacerdotes pertenecientes a la asociación "Pacem in Terris", cuya vida se extendió en el país desde 1971 hasta 1989. Este es el contexto en el que los jóvenes seminaristas Michal y Juraj tienen que decidir si mantenerse fieles a su vocación e idealismo o arrodillarse ante las presiones de la policía secreta.
Writer
La Iglesia Católica atraviesa un momento complicado en Checoslovaquia a principios de los años 80. El régimen comunista amenaza con destruir la institución y la somete a un estricto control, por lo que se ve obligada a aceptar ciertas restricciones relacionadas con la libertad de creencias y de expresión. El clérigo está dividido entre la "iglesia de las catacumbas", que mantiene el contacto con el Vaticano y con la prensa occidental, y la "jerarquía eclesiástica", que coopera con las fuerzas del poder y está representada por sacerdotes pertenecientes a la asociación "Pacem in Terris", cuya vida se extendió en el país desde 1971 hasta 1989. Este es el contexto en el que los jóvenes seminaristas Michal y Juraj tienen que decidir si mantenerse fieles a su vocación e idealismo o arrodillarse ante las presiones de la policía secreta.
Director
La Iglesia Católica atraviesa un momento complicado en Checoslovaquia a principios de los años 80. El régimen comunista amenaza con destruir la institución y la somete a un estricto control, por lo que se ve obligada a aceptar ciertas restricciones relacionadas con la libertad de creencias y de expresión. El clérigo está dividido entre la "iglesia de las catacumbas", que mantiene el contacto con el Vaticano y con la prensa occidental, y la "jerarquía eclesiástica", que coopera con las fuerzas del poder y está representada por sacerdotes pertenecientes a la asociación "Pacem in Terris", cuya vida se extendió en el país desde 1971 hasta 1989. Este es el contexto en el que los jóvenes seminaristas Michal y Juraj tienen que decidir si mantenerse fieles a su vocación e idealismo o arrodillarse ante las presiones de la policía secreta.
Producer
Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical reflection on the limits of anthropocentric thinking.
Co-Producer
Droneman is about Chemist and Fly Navigator Pavel and his friend Bussinessman and free time Rapper Plech. Pavel has strong sense of justice and wishes to fix wrongs with the World while Plech dreams about Big money and secure life. Their common passion are Drones since School. Pavel returns from Foreign and meets again with Plech and together they use Drones to start Bussiness. They monitor Power Stations, wear luxury handbags at the show or spray the Petrin Tower from the air. Their clients even include Presidential candidate. Everything changes when one of them decides to misuse Drones.
Co-Producer
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
Producer
Co-Producer
The story of a soldier’s parents told from the perspective of their 17-year-old grandson, Janek
Co-Producer
Roman tiene una obsesión: la bici. Para recuperarse de una lesión, trabaja duro, se somete a un régimen estricto e incluso ha instalado una carpa de oxígeno donde duerme cada noche, mientras su mujer, Šarlota, insiste en que tengan un hijo. Los dos someterán sus cuerpos a todo tipo de experimentos, convirtiendo así Domestik en una declinación del body horror en clave psicológica.
Co-Producer
Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.
Director
Documentary about Stefan Uher's film.
Idea
Executive Producer
Producer
Nina tiene 12 años. Sus padres se están divorciando y el mundo se está derrumbando ante sus ojos
Producer
A documentary about the present and the past of Čierna nad Tisou, a border town in the south-east of Slovakia, once the "Golden Gate of Socialism".
Co-Producer
Producer
Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.
Screenplay
Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.
Director
Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.
Producer
Documentary about Slovak fascist militia called Hlinka Guard, named after Andrej Hlinka.
Screenplay
Documentary about Slovak fascist militia called Hlinka Guard, named after Andrej Hlinka.
Director
Documentary about Slovak fascist militia called Hlinka Guard, named after Andrej Hlinka.
Screenplay
Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.
Director
Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.
Producer
A grittily realistic tale of prostitution at an Eastern European border town
