Hans Müller

"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.

A woman staying at a health spa (Lillian Harvey, goes to the theater every night to see "Quick" a comic performer, who wears clown make-up. She meets him off stage, without make-up and doesn't recognize him. He courts her, hoping she'll like him for himself but she maintains her crush on "Quick."

Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.

Fresh out of prison a small-time crook finds his girlfriend's dropped him, which sends him into a murderous rage.

In Monte Carlo, a captain tries to raise the money to pay his crew at the gaming table, but falls in love with a Queen.

Two inspiration sources appear clearly: contemporary American gangster movies and Alfred Döblin’s novel Berlin Alexanderplatz (1929).

The story of General Yorck von Wartenburg, a commander in the army of Prussian King Wilhelm, who defied the king's orders for the Prussian army to join Napoleon in his invason of Russia.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.

El teniente Nikolaus 'Niki' von Preyn se enamora de la violinista Franzi en Viena, donde se convierten en amantes. Cuando el rey de Flausenthurm llega a la ciudad con su poco agraciada hija Anna, Niki forma parte de la guardia de honor de las calles. Niki sonríe a Franzi, quien se encuentra en la acera de enfrente, le guiña un ojo justo cuando pasa el carruaje, y Anna cree que estos gestos van dirigidos a ella.

When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

La condesa Vera está a punto de contraer matrimonio con el estirado príncipe Otto, pero decide dejarle y se va a Montecarlo. Acude al casino, donde el conde Rudolph, hombre muy adinerado, se fija en ella. Le dice que, si le deja tocar su cabello, tendrá buena suerte en el juego. Ella se lo permite y empieza a ganar como por arte de magia. Tan impresionada queda por su cambio de suerte que, sin saber quién es, contrata a Rudolph en calidad de peluquero.

Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).

Austrian actress Mady Christians stars alongside German matinee idol Willy Fritsch in this adaptation of the Oscar Straus operetta about a Prince who, after falling for a Viennese girl, becomes obsessed with the city and its customs.

En el siglo XIX, una mujer hedonista se casa con un aristócrata, pero le cuesta mantenerse fiel a él. "Die Flamme" fue la última película de Lubitsch en Alemania, antes de su partida a Estados Unidos. Desafortunadamente, sólo queda una bobina de este melodrama con Pola Negri. La reconstrucción realizada para el Museo de Cine de Munich se compone, por tanto, de numerosas fotografías del rodaje y dibujos del guion que complementan los 22 minutos restantes de película. Pola interpreta con garra a su personaje de mujer perdida. Se advierte el toque de Lubitsch en detalles muy concretos, como el pequeño gesto de la mano de Yvette hacia su compañera de cuarto para mantener alejado al peligroso Gaston. Es difícil tener una opinión verdadera sobre esta película porque sólo queda un fragmento muy pequeño. Es obligado remarcar, no obstante, el cuidado con la decoración y el vestuario para reconstituir el París del Segundo Imperio. Alfred Abel es un excelente villano.

A hike in the wilderness turns ugly when the mysterious forest has a couple of surprises.