Jaroslaw Konopka

Películas

The Escape
Director
A woman and a child – two people saved by the remembrance. An apocalyptic annihilation has happened in their world. Afterimages of those traumatic events interfere the perception of reality. Woman and child are haunted by a constant sense of insecurity and danger. The surrounding world gives them no chance for the survival. Main characters exist, but as if they were dead. They meet, but they can’t see each other. They only live in those blurred by the time images of human memory.
Toto
Sound Editor
A story of a sensible boy, raised by a lonely and hard working mother, somewhere in a far province, where life revolves around daily, inveterate habits. The little protagonist is being deceitfully seduced by a shady “master” and cynical collector of keys. In consequence of the mystery and rather incomprehensible events, the world of his unconcerned childhood falls apart. The boy gets lost on his way back home while his concerned mother takes up a desperate attempt of finding her little son. “Toto”, a kaleidoscope of events filled to the brim with suspense and awe, is a universal story about naiveté and irreversibly lost infant dreams. If we lack the word to name the phenomenon, we don’t know precisely what exactly happened.
Underlife
Editor
The film talks about birth, Coming and going; whether a person can break free from under the influence exerted on One's life by the time and place of birth, and bt the event of turning up in one's own pram. And whether one is aware of the invisible, sometimes destructive, the influence of our ancestors, which might result in one never being able to leave this pram. It is a symbolically metaphorical short story of one such pram, inspired by Lullaby/ Kolysanka by Krzysztof Komeda, among others.
Underlife
Sound
The film talks about birth, Coming and going; whether a person can break free from under the influence exerted on One's life by the time and place of birth, and bt the event of turning up in one's own pram. And whether one is aware of the invisible, sometimes destructive, the influence of our ancestors, which might result in one never being able to leave this pram. It is a symbolically metaphorical short story of one such pram, inspired by Lullaby/ Kolysanka by Krzysztof Komeda, among others.
Underlife
Cinematography
The film talks about birth, Coming and going; whether a person can break free from under the influence exerted on One's life by the time and place of birth, and bt the event of turning up in one's own pram. And whether one is aware of the invisible, sometimes destructive, the influence of our ancestors, which might result in one never being able to leave this pram. It is a symbolically metaphorical short story of one such pram, inspired by Lullaby/ Kolysanka by Krzysztof Komeda, among others.
Underlife
Writer
The film talks about birth, Coming and going; whether a person can break free from under the influence exerted on One's life by the time and place of birth, and bt the event of turning up in one's own pram. And whether one is aware of the invisible, sometimes destructive, the influence of our ancestors, which might result in one never being able to leave this pram. It is a symbolically metaphorical short story of one such pram, inspired by Lullaby/ Kolysanka by Krzysztof Komeda, among others.
Underlife
Director
The film talks about birth, Coming and going; whether a person can break free from under the influence exerted on One's life by the time and place of birth, and bt the event of turning up in one's own pram. And whether one is aware of the invisible, sometimes destructive, the influence of our ancestors, which might result in one never being able to leave this pram. It is a symbolically metaphorical short story of one such pram, inspired by Lullaby/ Kolysanka by Krzysztof Komeda, among others.