Ivo Heger

Entre el 29 y el 30 de septiembre de 1941, el Sonderkommando 4a del Einsatzgruppe C, con la ayuda de dos batallones del Regimiento de la Policía del Sur y de la Policía Auxiliar Ucraniana, y sin que la población local opusiera ningún tipo de resistencia, fusiló a 33.771 judíos en el barranco de Babi Yar, al noroeste de Kiev. La película reconstruye el contexto histórico de esta tragedia con imágenes de archivo que documentan la ocupación alemana de Ucrania y la década posterior.

World War II. In autumn 1941 the German troops completely surrounded one of the biggest Russian cities — Leningrad. 2,5 million civilians got trapped in the city. The German commandment decided to destroy the city with bombings, artillery attacks and, most importantly, with hunger. The most difficult first winter of the siege (1941 — 1942). A young woman Olga is walking through the whole city to her father. She wants to see him one last time to say goodbye and to ask for his forgiveness.

El enigma del culto a la personalidad se revela en el gran espectáculo del funeral de Stalin. La película se basa en imágenes de archivo únicas, filmadas en la URSS del 5 al 9 de marzo de 1953, cuando el país lamentó y enterró a Joseph Stalin.

The city of Vyshny Volochyok: broken roads, snow and fog. The car service station in the suburb of the town where Olya and Vadim live and work, and love each other. Both are well in their thirties, they are simple and serious people, they share the ups and downs in their lives, until a third, superfluous party intrudes: the Internet.

Tras haber tomado una difícil decisión, Anna y Juhan se sienten incapaces de seguir con sus vidas. Van a pasar unos días en la residencia veraniega de unos amigos,donde ofrecen cobijo a una pareja que se ha visto sorprendida por la tormenta. La pareja da por supuesto que la casa pertenece a Anna y Juhan y ellos no hacen nada para sacarles del error. En lugar de eso, aprovechan sus nuevos roles y empiezan a verbalizar su resentimiento mutuo ante los dos extraños. Pretenders es un drama psicológico sobre las verdades e ilusiones de una relación.

Salzburgo, Alemania, 2000. La anciana actriz checa Lída Baarová relata a una periodista la tumultuosa historia de su ascenso a la fama en el Berlín de los años treinta y su apasionada relación con el siniestro Joseph Goebbels, ministro de Propaganda del Tercer Reich.

The Little Man lives happily in his little house in the Hollow Mountain. His peaceful life ends once he begins to have dreams about a mysterious house where he is to find what he desires. Even though he does not feel like having any desires, he crack the mystery himself.

It is 1961 and an Albanian student (Nik Xhelilaj) of the Academy of Performing Arts in Prague, together with a group of Czech students, is shooting his graduate movie on a motorcycle factory, in the small market-town of Český Šternberk, in then Czechoslovakia. Coming from a country that is completely isolated from the rest of Europe, he is fascinated by the lifestyle, society and "erotic exuberance" of the Czech golden youth, yet feeling strong links with his family in his homeland. He falls in love with a married woman (Anna Geislerová), the wife of a police superintendent (Paolo Buglioni) and is insecure about his future.

A contemporary tragicomedy from a modern city about disintegration of relationship, disintegration of a marriage, and maybe also about the disappearance of basic rules from decent life. A very black comedy about people in their 40ies who already have money, but still listen to rock and roll, exchanging drugs for mobile phones.

Un misterioso solitario (Karel Roden) llega a un pequeño pueblo con el cuerpo de un forajido buscado (Val Kilmer es el cadáver). Pero después de apostar su recompensa en un juego de cartas con el sheriff (Boguslaw Linda), debe idear un plan para recuperar al hombre muerto. Katarzyna Figura coprotagoniza como una dura camarera en el ingenioso y sangriento western del escritor y director polaco Piotr Uklanski, que parodia y rinde homenaje al género spaghetti western.

Después de ser expulsado injustamente de la Universidad de Harvard, el estadounidense Matt Buckner huye a la casa de su hermana en Inglaterra. Una vez allí, se hace amigo del encantador y peligroso cuñado de ella, Pete Dunham, y lo introduce en el inframundo del vandalismo del fútbol británico. Matt aprende a mantenerse firme a través de una amistad que se desarrolla en el contexto de este mundo secreto y, a menudo, violento. 'Green Street Hooligans' es una historia de lealtad, confianza y las consecuencias a veces brutales de vivir cerca del límite.

When sisters Jana and Anna meet their half-brother at their father's funeral, the siblings' lives entwine as they navigate relationships and setbacks.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.