Helen Lee Worthing

Barbara Fiske, a beautiful girl of social standing, is about to be married to Lloyd Van Courtland. On the eve of their marriage, she foolishly pays a visit to a colorful steamship captain aboard his ship.

La acción se desarrolla en Roma, en la época de los Borgia, Lucrecia (Estelle Taylor), César (Warner Orland), y el Conde Donati (Montagu Love). Don Juan (John Barrymore), a quién su padre Don José (también John Barrymore) enseñó que las mujeres sólo traen tres cosas: vida, desilusión y muerte, tiene múltiples romances a sus espaldas, pero vive obsesionado con la única mujer que nunca pudo tener, Doña Isabel (Jane Winton). Ella y él sufrirán la ira de Lucrecia, despechada por ser ignorada por Don Juan, así como por matar este al conde Donati en un duelo... Destaca por ser la primera película de la historia con una banda sonora completa y efectos de sonido sincronizados, al ser el primer largometraje de la Warner Bros que utilizó el sistema de sonido Vitaphone. Sin embargo, en esencia, y al margen de estos detalles técnicos, se concibió y produjo como una película muda, sin ningún diálogo sonoro, siendo todos los diálogos a base de intertítulos al igual que en el cine mudo.

Silent version of the Franz Lehar operetta.

John Bentley hates New York City, because of an unhappy romance as a young man, but his son, Ronald, tired of living in Iowa, is determined to take up residence in Manhattan. The elder Bentley therefore conspires with his New York manager, William Workman, to involve Ronald in so much trouble that he will gladly return to the sedate life of an Iowa burgher. Arriving in Manhattan, Ronald strikes up an acquaintance with Meg, a telephone operator, whose brother, Jimmy, has come under the evil influence of Jerry. Jerry and Jimmy rob a wealthy woman, and Ronald is charged with the crime on circumstantial evidence, keeping quiet in order to protect Jimmy.

Telephone operator Peggy, puts on an act with Matt Wilde at a Bowery amateur night and is seen by Billy Laidlaw, who becomes convinced of her talents. Billy subsequently arranges for the Broadway debut of the act and falls in love with Peggy, who wholeheartedly returns his affection. When the World War breaks out, Billy remains unconcerned until his younger brother is killed in action. Billy then immediately enlists and is sent to France; Peggy joins the Red Cross to be with him, and Grace Laidlaw, Billy's wife, also goes to France, working with the Y. M. C. A. Billy is assigned to destroy an ammunition dump, and Peggy learns, after he has left on the mission, that he has been recalled.

The Swan (1925) is a silent film produced by Famous Players-Lasky and distributed by Paramount Pictures. The film is based on Melville Baker's 1923 Broadway play adaptation, The Swan, of Ferenc Molnar's play A Hattyu Vigjatek Harom Felvonasbarn. This film was directed by Dimitri Buchowetzki, a recent Russian immigrant working for Famous Players-Lasky. Buchowetzki had directed pictures in Russia, Sweden, and Germany. The story of this film was remade in 1930 as One Romantic Night, an early talkie for Lillian Gish, and in Technicolor as a 1956 vehicle for Grace Kelly.

Robert Marshall’s dying utterance seems to point to Colman Colby (Robert Frazer) as his killer. Colby is arrested and at trial all testimony points to his guilt. But as the jury deliberates, the unfairly named “other woman” (Helen Lee Worthing) sets out to prove his innocence.

It is 1774, the eve of the American War of Independence. Janice comes from a Tory household. She cavorts with American and British alike, is pursued by Charles Fownes, patriot and friend of General Washington.