Jana Vlčková

Esta noche probablemente será la última de Ivo y él lo sabe. Detrás de las puertas de la habitación del hospital, su familia y amigos esperan. El nieto de Ivo llega al hospital con su nueva novia joven embarazada. Cuando le presenta al anciano, Ivo le pregunta si podía ver sus pechos. En el pasillo, su deseo se convierte en un asunto público. Todos se dan cuenta de que este podría ser su último deseo, pero al mismo tiempo intentan ser más o menos considerados con la joven. ¿Cómo solucionará la familia una situación tan delicada? ¿Y es este realmente el último deseo de Ivo?

An ageing proprietor of a technology company has dedicated his whole life to his work, so it comes as a big blow when things suddenly start to fall apart at the seams.

Vlasta and Tonda don't have much longer to live but they do have one more important task ahead of them - to find and kill the communist prosecutor who sent them to prison in the 1950s. An unusual road movie about two former political prisoners who fight for justice despite every obstacle.

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

A documentary about the present and the past of Čierna nad Tisou, a border town in the south-east of Slovakia, once the "Golden Gate of Socialism".

Kazimir Malevich wanted to burn all the pieces of art. And to create black squares from the ashes. The black square (Everything of art) did not appear here by an accident. Where are its roots? Is not the square in its core a circle, the return of Everything? And are we to speak on fundamental matters? Here we enter the quest of spies. The agents want to keep silence. The informaticians prefer the total openness, proximity, disposition. Distance or proximity?

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.

The film is a Slovak version of The Thin Blue Line, recounting the unsolved disappearance and murder of a young woman that happened thirty years ago. It was a case that was paraded in the communist media at the end of which seven individuals were found guilty of this heinous crime. They are the same individuals who at present proclaim their innocence.

In the second half of the 18th century, Jeremy Bentham designed the model of a panopticon, a type of building that made supervision most effective. Panopticons were firstly used for prisons, places where supervision and punishment are the main functions. Secret services but also different surveillance technologies are the new panopticons. They can monitor, save and store data about people to identify them, to distinguish the location and time of people’s behaviour and actions. Architecture theorist, software expert, people who are or were monitored, or the former secret service agents explain their panoptical experience. Reading again Michel Foucault´s Discipline and Punish, through experience with different kinds of supervision, in the film we are looking for the perfect application of the panoptical principle.

Young married couple Radek and Johana are considering adoption. In order to weigh up the possible risks, they gatecrash a meeting of their contemporaries who grew up in adoptive families and contacted each other via internet chat rooms. A group of thirty-somethings get together at a campsite for a few days in order to set up an association in support of adoption. Despite their shared fate and "noble” intentions, the members of this small community don’t hit it off. Where does pretentious tolerance end and buck-passing indifference begin? And what has decent morality got in common with xenophobia? As an ironic reflection that questions how prepared we should be to help each other out, the film offers a sophisticated and poetic take on the grimly authentic style of the Dogme 95 Manifesto. This satirical comedy was the result of collaboration with the LÁHOR/Soundsystem theatre group, which focuses on realistic collective stage improvisation within the structure of a predetermined story.

An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.

Prof. Petr Vopěnka is a worldwide famous Czech mathematician, author of many books concerning history of Maths, geometry above all. He is an original thinker, connecting mathematics with philosophy. He has become recognized by public because of invention of the biggest number (the so-called Vopěnka's cardinal) and thanks to being active in politics for two years - he was the first Minister of Education after 1989 revolution in Czechoslovakia. His portrait works mostly with non-synchron images trying to find the abstract qualities in the pieces of prof. Vopěnka's everyday reality, that should inspire the spectator for concentrated interpretation of the words that are mapping personality of Vopěnka - mathematician.

Slightly meteorological film about creating, behaving and blustering of clouds, about how the invisible (e.g. water in atmosphere) can become visible and in what way formating of ideas is similar to that of clouds. Also a painter and a physicist participate, to talk about elements (the first one) and colours (the latter one).