Rudolph J. Bergquist

Películas

Una chica en cada puerto
Cinematography
Dos marineros que se hacen amigos viajan por todo el mundo en busca de aventuras y mujeres.
Silk Legs
Director of Photography
One Increasing Purpose
Cinematography
Stars Edmund Lowe as WWI veteran Slim Paris. Though most of his comrades died in battle, Paris returns home with nary a scratch. This convinces him that his life has a "greater purpose" in the scheme of things, so he sets about to find that purpose.
The White Monkey
Cinematography
Two hundred fifty thousand have read this startling novel with its revelations on married life-its intimate story of the times and follies of new conventions that hurl their challenge to the old!
One Night in Rome
Cinematography
The story of a great Italian Duchess and of the baffling mystic, L Enigma
Painted People
Director of Photography
A 1924 film directed by Clarence G. Badger.
Potash and Perlmutter
Cinematography
The film is based on an ethnic Jewish comedy with characters created by Montague Glass and Charles Klein.
Camille
Director of Photography
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Passion Fruit
Director of Photography
Filmed on location at Monterey, CA, and starring exotic stage dancer Mlle. Doraldina, this long-lost South Seas romance featured Stuart Holmes as a vicious plantation overseer who poisons his boss (W.A. Bainbridge) in order to possess both the unfortunate man's estate and his daughter.
Billions
Director of Photography
Princess Triloff, an emigrée from Czarist Russia, escapes to America where she becomes a patron of the arts. She falls in love with the verses of impoverished poet Owen Carey and becomes his anonymous benefactor. When Owen inherits a fortune from his rich Uncle Krakerfeller, he assumes his uncle's identity and confers his own upon an impoverished friend, Frank Manners. At a resort, Owen meets the princess and falls in love with her, but is chagrined to discover that she is enamored with Manners. The princess finally discovers Owen's real identity and the two fall in love.
Madame Peacock
Director of Photography
Jane Goring, a ruthlessly ambitious actress, forsakes her life as a wife and mother for the stage. Returning home from a performance one night, Jane is disgusted to find her husband Robert McNaughton victimized by a tubercular cough and so banishes him and her young daughter to a sanitarium in Colorado. Years pass, finding Jane still estranged from her family. On the opening night of her new play, Jane finds herself upstaged and outperformed by Gloria Cromwell, a rising young actress, who, unknown to Jane, is her abandoned daughter. Returning home, Jane is haunted by visions of her husband and child and begins to sob. Looking up from her pillow, she is startled to see her husband with Gloria.
Stronger Than Death
Director of Photography
Sigrid, A French dancer, diagnosed with a weak heart, is ordered by her doctor never to dance again. But when her dancing skills are needed by her lover's father to help quell a native uprising on the East Indian frontier, she determines to dance whatever the cost.
A Pair of Cupids
Cinematography
Henry Burgess favors a match between his ward, Virginia Parke, and his nephew, Peter Warburton, but she is only interested in her poodle, Frou Frou, and Peter devotes all of his attention to his business. To bring them together, Uncle Henry rents twin babies of the laundrywoman, Bridget McGroghan, placing one on Peter's doorstep and the other on Virginia's. Each discovering that the other has a baby, Peter and Virginia soon begin to share their views on child rearing and matrimony, and are about to become engaged when the babies disappear. Michael McGroghan, the twins' father, hires a pair of crooks to kidnap the babies so that he may collect the $25,000 bond that has been put up by Henry for their safe return. Peter, however, tracks down the kidnappers, and after the infants are returned to their grateful mother, he and Virginia look forward to having their own babies. (from the AFI)
Social Quicksands
Cinematography
Claiming that he has no need for social butterflies, Warren Dexter refuses to attend a reception at which he was to meet debutante Phyllis Lane. Humiliated, Phyllis makes a wager that she will lead Warren to the altar within the month. To gain his attention, she faints on his doorstep and then realizes that he is not at home. Peering through the window, Phyllis spies a woman stealing the silver, whereupon she enters the house and forces Mollie, the burglar, to exchange clothing with her. When Warren arrives, Phyllis feigns a guilty look and explains that her father and brother force her to steal. Hoping to reform the attractive "crook," Warren offers her a position as his maid and soon falls in love with her. Later the crooks again try to rob him, and after Phyllis helps him to foil their plan, he proposes. Upon learning her true identity, Warren is greatly offended, but Phyllis easily convinces him that her love is genuine. - from IMDB
Red, White and Blue Blood
Cinematography
A hard-core socialite turns over a new leaf after spending time with a less fortunate family.
The Adopted Son
Cinematography
A feud has existed between the McLanes and the Conovers in the Tennessee mountains for many years. "Two Gun Carter" leaves Texas after a shooting fray and arrives just in time to witness George Conover's death at the hands of Henry McLane. Carrying young Conover's body to his family, Carter is very moved by their grief that he agrees to become their adopted son and subsequently falls in love with Marian Conover.