Smilla Witte (Maria Ehrich) always dreamed of working as a cook in her parents' excursion restaurant "Schneewittchen am See". But after the sudden death of her mother, Smilla literally fled from home ten years ago. After a long time Smilla wants to spend time in her old home again. But she can't last long at home without getting into an argument with her father Heinrich (Jürgen Tarrach). Of course, as so often, this revolves around Heinrich's new wife Regina (Andrea Sawatzki). Without further ado, Smilla stays with her friend Hedi (Hanna Plaß) earlier than planned. She lives together with her brother Victor (Jochen Schropp), his husband Lorenz (Lucas Reiber) as well as two mini pigs and two chickens on the "dwarf farm".
Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.
Hanna doesn’t believe in relationships anymore. The young woman lives wildly and without restraint. She stubbornly avoids any intimacy. But when she meets Tim at a party one night, everything changes. The young man challenges Hanna.
On her run-down farm, Ursula Kammler discovers her brother's body. The two have shared, lived and worked on the legacy of the Chiemsee. For years now, colleagues from white-collar crime have been filing a case over Joe Kammler's strange business practices, but they have not been able to prove anything to him. Sarah Beck, the murder victim's secretary, is helping Hattinger, the network of business relations to finally see through: The murdered seems to have made common cause with a dubious banker. Sarah's erotic charisma attracts the Commissioner visibly in his spell ...
Simon falls head over heels in love with pretty and quick-witted Verena. When his father, who suffers from schizophrenia, has a relapse, Simon devotes himself completely to his mother and little sister and endangers his budding romance. Maneuvering himself into a near-fatal situation, Simon realizes that he cannot change the others' lives, but only his own.
