What use is a good Abitur if the climate is changing? For 17-year-old high school student Lilly, there are more important things than school. It looks correspondingly bleak with their admission to the Abitur! While father Martin fails with a bang to lure her with a dream trip, mother Nina makes an unusual deal: if Lilly really crams from now on, her parents will in return help protect the climate. From now on, only fresh food will be cooked at home, lavender will replace industrial washing powder and you can go to work by bike! There are only exceptions for little brother Tom. But the road to an emission-free life is not a sure-fire success. After weeks, agency owner Nina and chief physician Martin are not only looking for secret exceptions to the rules, but also get into discussions about their lives up to now. And since Lilly doesn't quite stick to the deal with her parents either, the initially abstract discussion about climate-friendly living escalates into a true family crisis.
En el colegio de conejos, está a punto de ser Pascua y el huevo dorado mágico decidirá quiénes serán los nuevos "conejos líderes". Tras elegir a Max, el huevo dorado se vuelve negro.
Faced with a documentary film that included an interview with a young girl forced into prostitution, Michael Kranz asked himself the apparently banal question of “what can be done?” He travelled to Bangladesh and began to search for the girl. A film that is both self-critical and critical of society about the desire to at least do something and not to simply and passively give in to the injustices in this world.
Max es un travieso conejo de la ciudad que tras un pequeño juego con sus amigos acaba en los bosques de las afueras donde encontrará la escuela de conejos de Pascua. En este peculiar lugar, el tiempo parece haberse detenido y sus habitantes llevan una tradicional y divertida vida rural.
Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.
