Hong Bai

Nacimiento : 1920-02-24,

Muerte : 1992-05-28

Películas

Marriage Symphony
孤岛春秋
大姐
无花果
陆玉英
Princess Iron Fan
The story was liberally adapted from a short sequence in the popular Chinese folk tale Journey to the West. Princess Iron Fan is a main character. Specifically, the film focused on the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village.
Empress Wu Zetian
Historical film based on the life of Wu Zetian, the only female emperor in Chinese history
The Young Mistress' Fan
Lady Windermere's Fan, Oscar Wilde's play on moral values, is adapted for a setting in Shanghai. Young wife Meilin mistakenly believes her husband is having an affair with a social butterfly and decides to leave for a suitor. Her reputation, about to be ruined because of a misplaced fan, is saved by the social butterfly who turns out to be …Unlike typical Chinese scripts on parental love, the understated familial love in the original play is aligned with Li's preference for the undramatic. Motherly love is portrayed indirectly while emotions run strong yet subdued in the film. Poking fun at social culture of the times, this is Li's earliest extant feature film in a modern setting and a showcase of his modernistic and crisp directorial approach.
The Angel
This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.
Love and Duty
Melancholy Hatred
小玫
Melancholy Hatred
小虹
国色天香
宝珍
The Beauty's Favour
歌舞团长
华山艳史
歌舞演员
Wang Xifeng
贾蓉
潇湘秋雨
赵女