Masaaki Sakae

When his father flees from debt, carefree college student Osamu sees his life turn upside-down. Expelled from school and evicted from his apartment, he becomes one of Japan’s many ‘net cafe refugees’, barely scraping by each day with temporary and part-time work. Even though he’s still in Tokyo, his circumstances drive him to see and experience his home city in new ways. Trying to survive, Osamu gradually acquaints himself with the ‘invisible’ spaces occupied by the wanderers and homeless of Tokyo… people just like himself.

Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it! We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation. This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. The film, based on a comic by Fumiyo Kono, jumps between the two time frames and quietly depicts the sorrow and mortification experienced through the everyday lives of laid-back and soft-spoken Hiroshima people. Only a few scenes of the bombing and the ensuing devastation are featured.

Kaori is pursuing her career as a journalist for a magazine with great enthusiasm. But as a result of an article she wrote, she is sent to work for a community magazine at Fukuoka. An anonymous letter arrives, which puts her in contact with an old and forgotten theater, the 'Minato Theater' in nearby Shimonoseki.

Nami Matsushima, a former doctor, is put in prison for murdering one of the men who raped and killed her sister. Now, faced with violent and lecherous prison gangs, an aggressively amorous warden, and with a friend on death row, Nami must steel herself for a ten year stay in one of Japan's toughest women's prisons.

Nami Matsushima has escaped from the prison to which she was sentenced in Scorpion, but is now obsessed with tracking down the--don't laugh--one-armed man who murdered her younger sister fifteen years ago. Nami is certainly no great action heroine, and the plot at times makes little sense, climaxing with a coincidence more ridiculous than any Shakespeare ever used. For complicated reasons, Nami uses her medical knowledge to break into a women's prison as staff physician. There, as in the previous movie, the convicts wind up naked awfully frequently.

A large, dinosaur-like monster has risen from Tokyo Bay and attacked the city. As the government collapses into chaos, the people of a rural town in Fukui Prefecture, from whose perspective we see the entire movie, watch as the events unfold on TV. Some decide to run for their lives, some take it as a sign of the apocalypse, some go completely crazy, but most of the townspeople wait and watch, and wonder where the monster will head next.

A Japanese schoolgirl witnesses the suicide of her close friend. In the aftermath she gets caught up in a world of sex trafficking after meeting a guy hiding his true intentions. Of course she falls for him before realizing the magnitude of the situation, complicating matters further. Eventually, her mother gets involved...