Margaret Fielding

The Jones family drugstore is robbed and it looks like the culprit is a boy the family has taken a liking to.

Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...

When a gambler is accused of murder, the pretty orphanage employee he loves sets out to prove him innocent of the crime.

Crónica de la vida de un matrimonio (Warner Baxter y Mirna Loy) en la época de la Gran Depresión.

John, un novelista neoyorkino, conoce a Sarah, una afamada actriz. Su amor es tan fuerte que se casan sin conocer uno demasiado del otro. Durante su Luna de Miel, empiezan a darse cuenta de la popularidad que despiertan cada uno frente a los demás, y varios enredos se les presentarán inoportunamente.

A doctor has a rough time obtaining the money for his services in a lumber town until he delivers quintuplets.

Irène Bordoni is cast as Vivienne Rolland, a Parisian chorus girl in love with Massachusetts boy Andrew Sabbot (Jason Robards Sr.) Andrew's snobbish mother Cora (Louise Closser Hale) tries to break up the romance. Jack Buchanan likewise makes his talking-picture debut as Guy Pennell, the leading man in Vivienne's revue. No film elements of Paris are known to exist, although the complete soundtrack survives on Vitaphone disks. The sound tape reels for this film survives at UCLA Film and Television Archive.

The Isle of Lost Ships is a 1929 talking film released in an alternative silent version with a Vitaphone track of effects and music. It was produced by Richard A. Rowland and distributed by Warner Bros..

1928-29 film directed by Frank Lloyd. It was an Oscar nominee for Best Director in the second year of the Academy Awards. The story concerns a man's family life, especially his wife's parents and their impact on his peace and solitude. it is a light comedy and supposedly is available at, at least, one unknown archive. It has been shown in recent years at one film festival in LA. This is an important film due to its Oscar status and because it is in existence somewhere and deserves to be mentioned.

Finding herself accused of a murder she didn't commit, Alice Carroll flees to Tangier, Morocco. District Attorney Henry Holcombe, meanwhile, has discovered that she is actually innocent and sets out to search for her. He finds her in Tanger, but she is under the influence of the shady Wilhelm von Linke, who owns a seedy gambling den. Complications ensue.

Mark Sabre hires young Effie Bright to keep his snobbish, cold-hearted wife Mabel company while he goes off to war. When he returns home from the front wounded, he finds that Mabel has fired Effie, who shows up at Mark's door with her baby, having no place to go. Mark takes her in, but Mabel leaves him when the town shuns him for what they believe is going on with Mark and Effie. Matters are further complicated when Effie, driven to desperation, commits an unspeakable act that results in Mark having a nervous breakdown--and then things get worse.

This 15 chapter serial is considered to be "the last of the adult serials". Produced in Wilkes-Barre, PA., it has crisp editing, fast action, and carefully lit and composed interiors and lush pictorial exteriors. This is a serial of great complexity with the director, the photographer and title-maker always in absolute control. The extraordinary rhythmic momentum of the film is never lost despite the films complex plot turns. This is the best of the surviving serials from the silent era.

Effie Marchand refuses to marry a man she has never met, but who has been picked out by her mother, is exiled to boarding school Then, when sculpting teacher Jules Gerard asks her to pose for him, an always impulsive Effie quickly consents. During one of the modeling sessions, however, Jules tries to seduce her, and Effie is saved only when Al Tournay, a visitor to the studio, fights off the sculptor. Later, when Jules' latest nude statue looks just like Effie, who really only posed for the head, an outraged principal expels her. Effie then begins a romance with Al, and when they get married, Effie's mother takes the wedding as just one more sign of her daughter's impulsiveness. Mrs. Marchand soon finds out, however, that her new son-in-law is the man she had chosen for Effie long before, and so mother and daughter are quickly reconciled.