Andy Robbins

Películas

The Curse of the Highgate Vampire
Director
Un cementerio victoriano se convierte en un coto de caza de vampiros en la década de 1970 en Londres después de que los visitantes informaran sobre cuerpos saliendo de las tumbas, extrañas marcas de mordeduras y avistamientos de una figura alta y oscura con ojos rojos. Aún más escalofriante, cualquiera que se atreva a investigar está maldito.
The Curse of the Highgate Vampire
Self
Un cementerio victoriano se convierte en un coto de caza de vampiros en la década de 1970 en Londres después de que los visitantes informaran sobre cuerpos saliendo de las tumbas, extrañas marcas de mordeduras y avistamientos de una figura alta y oscura con ojos rojos. Aún más escalofriante, cualquiera que se atreva a investigar está maldito.
Treasures of the Anglo-Saxons
Cinematography
In this hour-long documentary, Oxford academic Janina Ramirez tours the country in search of Anglo-Saxon art treasures. Her basic thesis - and it is a plausible one - is that we should not look upon their era as a "dark age" as compared, for example, to Roman times, but rather celebrate it as an age in which creativity flowered, especially in terms of artistic design as well as symbolism. She shows plenty of good examples, ranging from the Franks Casket to the Staffordshire Hoard, and the Lindisfarne Gospels. - l_rawjalaurence
Treasures of the Anglo-Saxons
Producer
In this hour-long documentary, Oxford academic Janina Ramirez tours the country in search of Anglo-Saxon art treasures. Her basic thesis - and it is a plausible one - is that we should not look upon their era as a "dark age" as compared, for example, to Roman times, but rather celebrate it as an age in which creativity flowered, especially in terms of artistic design as well as symbolism. She shows plenty of good examples, ranging from the Franks Casket to the Staffordshire Hoard, and the Lindisfarne Gospels. - l_rawjalaurence
Treasures of the Anglo-Saxons
Director
In this hour-long documentary, Oxford academic Janina Ramirez tours the country in search of Anglo-Saxon art treasures. Her basic thesis - and it is a plausible one - is that we should not look upon their era as a "dark age" as compared, for example, to Roman times, but rather celebrate it as an age in which creativity flowered, especially in terms of artistic design as well as symbolism. She shows plenty of good examples, ranging from the Franks Casket to the Staffordshire Hoard, and the Lindisfarne Gospels. - l_rawjalaurence