Sophie Tellier

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.

Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .

Un buen día, Lily consigue la herencia de un tío moribundo, se lesiona la espalda durante unos ejercicios amorosos un tanto moviditos, y por la mañana es abandonada por su novio, que se va con una atractiva colaboradora. Impactante situación, por llamarlo de alguna manera... Pero Lily, respaldada por sus dos amigas y la portera, prepara su contraataque en todos los frentes. Un solo objetivo: recuperar a su novio. No repararán en medios: un cambio de look total, un régimen dietético infernal, sabotaje y guerra psicológica para eliminar a la rival... Pero al final de esta larga batalla, les esperan algunas sorpresas..

Amelie no es una chica como las demás. Ha visto a su pez de colores deslizarse hacia las alcantarillas municipales, a su madre morir en la plaza de Notre-Dame y a su padre dedicar todo su afecto a un gnomo de jardín. De repente, a sus veintidós años, descubre su objetivo en la vida: arreglar la vida de los demás. A partir de entonces, inventa toda clase de estrategias para intervenir, sin que se den cuenta, en la existencia de varias personas de su entorno. Entre ellas está su portera, que pasa los días bebiendo vino de Oporto; Georgette, una estanquera hipocondríaca: o "el hombre de cristal", un vecino que sólo ve el mundo a través de la reproducción de un cuadro de Renoir.

Maman à tort, Plus grandir, Libertine, Pourvu qu'elles soient douces, Tristana, Sans contrefaçon, Ainsi soit-je, Sans logique, A quoi je sers, Allan (live 89), Plus grandir (live 89), Désenchantée, Regrets (a duo with Jean-Louis Murat), Je t'aime mélancolie, and Beyond my control.

The love story of Pascal and Hélène who meet at Françoise's birthday party and the love story of Gérard, Pascal's confidant, and Françoise who invited Pascal and Hélène to her birthday party.

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

Story of two women's feud continues during the events of The Seven Years' War Music video for Mylène Farmer's song Pourvu qu'elles soient douces