Wayne Arey

Adele has grown up in a tenement, but she longs for greater things. She gets her chance at the stage when her mother runs into an old friend, Blanche. Blanche has been working steadily in the theater, and she helps Adele get work. The young girl finds romance with Vincent Harvey, an aspiring composer. One day Adele suffers an accidental fall out of a window.

The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.

Silent adaptation of Shakespeare's King Lear

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

An optimistic girl survives city life as a shoe shine till she ends up in children's court. Just as she helps her geranium, Sally, to grow, a kindly judge sees her potential and takes her to his mother's country home to flourish.

Based on Browning's poem, a widowed Duchess raises a son that decides to abandon modern ways and act like it's the medieval days. When he wishes to marry, a young woman is found and plays along believing it's all a joke.

The Long Arm of the Secret Service

Born in a prospector's camp, orphaned by a flood and taken care of by relatives to whom she was unwelcome, Mercy grew up dodging blows and curses with equal dexterity and indifferent success.