Hans Bruch Jr.

Películas

Jan and Kelly and everything in between
Director of Photography
When Jan, director, receives the good news that he can make his first feature film, his source of inspiration and lead actress, Kelly, is in love. With Vincent. Something that the actress has not yet shared with 'her director'. When Jan shows up at Kelly's door with champagne to celebrate that they are finally going to make a film, a confrontational evening follows. In other words, the first honest conversation between two extremely insecure souls.
Jan and Kelly and everything in between
Producer
When Jan, director, receives the good news that he can make his first feature film, his source of inspiration and lead actress, Kelly, is in love. With Vincent. Something that the actress has not yet shared with 'her director'. When Jan shows up at Kelly's door with champagne to celebrate that they are finally going to make a film, a confrontational evening follows. In other words, the first honest conversation between two extremely insecure souls.
So We Live
Producer
A family living in a country at war spends the night together. Their conversations revolve around the everyday and survival.
So We Live
Director of Photography
A family living in a country at war spends the night together. Their conversations revolve around the everyday and survival.
Hearts of Stone
Cinematography
In the heart of a bustling metropolis, Paula, a lonely street artist, entertains people as a living statue. She longs for an impossible love with Agatha, a stone sculpture next to which she can be found every day. One day, when reaching her familiar spot, she finds her stone companion replaced by an abstract, modern sculpture. After a frantic search, she discovers Agatha cast aside amidst a group of discarded, classical statues who have lost their place in the modernizing sculpture park. As the sun sets, Paula finds herself trying to wake the lonely statue from her stone slumber.
In the Hands of Puppets
Cinematography
An animated conversation, both literally and figuratively, based on interviews with patients and care providers at a psychosocial hospital. Later the artists asked friends and colleagues similar questions. In this short film, the artists use the 'online chat' form to address subjects like self-analysis, personality and social relations.
Clases de historia
Cinematography
Vero tiene 60 años y tiene cáncer. Su vida transcurre entre la negación a iniciar un tratamiento, la monotonía de su trabajo como maestra y su seco matrimonio. La rutinaria vida de Vero cambia cuando conoce a Eva, una estudiante de nuevo ingreso.
Titixe
Color Timer
El último campesino de una familia mexicana ha muerto y con él se ha ido toda sabiduría para trabajar la tierra. Sin experiencia agrícola, su hija y su nieta intentarán una última siembra para convencer a la abuela de quedarse con el terreno familiar. Juntas encontrarán los vestigios de este hombre y su trabajo.
Charlie and Hannah's Grand Night Out
Cinematography
Charlie is witty, inaccessible and - in her own words - fundamentally dialectic. Hannah is chatty, neurotic, always hungry and always in love. Things take an unexpected turn when one of the girls conjures magical candy that makes body parts talk, pineapples fly and through which a trip to another galaxy becomes the easiest thing in the world.
My Life As an Actor
Director of Photography
Eric De Kuyper’s first feature film in 25 years is made up of sequences that pay tribute to a range of Hollywood genres.
Lucifer
Director of Photography
On his downfall from Heaven to Hell, Lucifer passes through the earthly paradise, a village in Mexico, where elderly Lupita and her granddaughter Maria live. Lupita's brother Emanuel pretends he's paralyzed so he can drink and gamble while the two women tend to the sheep. Lucifer senses an opportunity and plays the miraculous healer. He forces Emanuel to walk again, seduces Maria and makes Lupita doubt about her faith. He didn't bring bad luck, he only illuminated the line between good and evil, where it didn't exist before.