Mariya Poezzhaeva

Diciembre de 1941, Frente Noroeste. Una columna de tanques alemanes avanza hacia Moscú. Durante una misión para detener el avance enemigo, el IL-2 de Nikolai Komlev es derribado. Komlev logra hacer un aterrizaje forzoso de su avión en un claro del bosque remoto. Está vivo, pero lejos de territorio amistoso. Le espera una prueba implacable de gran resistencia física y mental. Después de luchar contra el hambre y el frío extremo, evadiendo manadas de lobos y destacamentos de soldados nazis, el herido Komlev finalmente regresa a un lugar seguro. Pero allí se enfrenta a otro desafío, el más transformador de todos.

A small but powerful orchestra with strict melodies and rhythms in the spirit of “Avia” unleashes a mechanical frenzy: artists under a thick layer of make-up are throwing replicas from Harms' stories and notebooks. Ultimately, this plotless musical by Maxim Didenko with the artists of the Gogol Center claims to incarnate (literally, from the word “flesh”) the universe of a unique writer, the demiurge of a dislocated reality.

A young naive provincial guy Artem visits a friend in Moscow in the hope of finding a new beautiful life, but first he has to help him working the bizarre job of “sober driver” at night. On the first evening, picking up beautiful Christina from a nightclub, a misunderstanding leads to Artem ending up with her in a hotel room. Completely forgetting of last night’s events, Christina mistakes the guy for a young millionaire, and he, in turn, is in no hurry to disappoint her. With each date Artem falls more and more in love with her, but getting out of ridiculous situations becomes more difficult.

All his life Myshkin was dreaming about becoming an actor. And now eight years old Dasha is trying to help him.

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

Cuando el reino celebra la boda de la princesa Miroslava, ésta es secuestrada por un dragón y llevada a una isla remota. Quedando todo atrás, su familia, sus amigos y su futuro esposo, es encerrada en una jaula de piedra. Su único contacto es Arman, un joven misterioso que ha aparecido ante ella, pero ¿Quién es él y qué está haciendo en esa isla?

Do you believe in love at first sight in the modern world of crazy speeds and endless SMS? People find each other in social networks. What can shake their life? A smiley and offer to meet . Three love stories with an unpredictable ending.

Lena is a bright, disabled girl who, after years spent studying at home, is keen to get back to school. She is assigned to a special class for disabled pupils who have to present themselves before a school commission at the end of the year in order to prove that they merit being moved back into a "normal" class. Her enervated teachers, however, show absolutely no desire to motivate the students and help them improve; on the contrary, they try to quash right from the start any interest Lena shows in more complex study material. Nevertheless, Lena soon involves herself in the school routine and gets together with classmate Anton. Yet their transparent happiness is not to everyone's liking and repercussions soon follow.

Life of a small town in Siberian taiga (Chulimsk) revolves around a small cafe, where a young girl Valentina works as a bartender. Valentine is in love with the local detective Shamanov, ineffable, strict yet charming man, who recently arrived to Chulimsk. Despite a loving relationship with the chemist's Shamanova Zina and his mature age, Valentine finds the courage to confess her love to Shamanov. Up to this point never noticed the beauty and uniqueness of Valentina, Shamans suddenly realizes that this sweet, modest girl is his happiness.