Director
The gentle inhabitants of a quaint Berlin apartment house, damaged by the Second World War but possessing an elegance of its own, love the place where they live, with its motto Liebe das Leben-Lebe das Lieben (Love Living, Live Loving) emblazoned above the door. Their love for it only increases when they learn that it is threatened by a bank redevelopment project. Among the apartment-dwellers are an elderly couple (Brigitte Mira and Erhardt Dhein) who have toured the world together.
Writer
Dos jóvenes amantes escapan de los ojos indiscretos y marchan a un antiguo cementerio etrusco. Pero son asesinados con el mismo rito del dios Tuchulcha. El comisario Giuranna es encargado de investigar el hecho que solo encuentra un par de zapatillas de baile como única pista. Entre sus sospechosos se cuentan Jason, un arqueólogo borrachín; Stephen, ex coreógrafo; Otello, el guardián del museo etrusco; +
Irene y Myra, secretaria y esposa del célebre director de orquesta Nikos... Y por último Lemi, una mujer que vive cerca de la necrópolis, que usa permanentemente pelucas para ocultar las quemaduras que le afean el rostro.
Writer
Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974), Heart of Glass (1976) and Stroszek (1977).
Director
Lutz Eisholz’s first feature film was produced at West Berlin’s German Film and TV Academy. In an experimental documentary he portrays the working class outcast Bruno S., who prowls the city as a street musician, performing his own songs. The film unfolds Bruno’s story: abandoned by his mother as a child, he was maltreated in correctional institutions in Nazi Germany. On release after WWII he found work but started performing at the same time as a self-taught musician and poet. Although incapable of “normal” human bonding, he was still able to rejoice in life. When Werner Herzog saw this film he recognized Bruno’s potential and hired him to play starring roles in The Enigma of Kaspar Hauser (1974), Heart of Glass (1976) and Stroszek (1977).
Writer
Three short scenes: A drummer, a busy street and two lovers.
Director
Three short scenes: A drummer, a busy street and two lovers.
Director
Love story in Berlin.
