Executive Producer
The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.
Assistant Director
The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.
Production Manager
Producer
In a small Brazilian seaside town we follow the efforts of Paula, who is pregnant of her third child, to build a pool in her humble beach house, so the family can enjoy the rest of their vacation. Financial difficulties will interrupt the work and reveal certain aspects of a tense family routine, full of small frustrations.
Producer
An indigenous teacher implements the use of Ayahuasca in her classes in order to connect her students to another reality. During a ritual, one of the children comes upon a weird gear in the forest.
Production Manager
Amadi, un músico de Lagos (Nigeria), llega a São Paulo (Brasil) con una misión: localizar a su hermano, Ikenna, quien recientemente ha roto lazos con su familia, y traerlo de vuelta a Nigeria. Amadi, que siempre fue más relajado y despreocupado, en contraste con la personalidad más calculadora de Ikenna, tiene que estar a la altura de las circunstancias para no defraudar a sus padres. También debe hacerlo por razones egoístas: le preocupa que, si no encuentra a Ikenna, recaiga sobre él las responsabilidades del hermano mayor, la responsabilidad de mantener a su familia. Asimismo en Brasil, Amadi sigue los débiles pasos que dejó Ikenna en este paisaje urbano extranjero: se entera de que su hermano no es el distinguido profesor de Matemáticas que aparentaba ser, sino que ha ideado una serie de intrincados esquemas para amasar riqueza en Brasil.
Producer
João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.
Producer
Silvia is a middle-aged filmmaker in crisis with her life. The same night that she is surprised by the visit of the ex-wife, who left her a few years ago, meets another woman who fascinates her.
Assistant Director
Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.
Production Director
Felipe is obliged to spend his afternoons with Aunt Guta.
Producer
"Yesterday, by the afternoon, I went to see if our theater was still there. And it was".
Producer
Isabel is a babysitter pregnant of her own child and can't wait to be a mother. Until she meets Joana.
Executive Producer
Isabel is a babysitter pregnant of her own child and can't wait to be a mother. Until she meets Joana.
Production Executive
I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?
Producer
