Producer
A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?
A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?
In the first scene of this screenplay, there is something I call "the prologue". The image of an erect dick trying to stay standing. I understood during the various modifications of this script, that this scene, "the prologue", was a movie in itself. And it is this experience that I wish to provide to the audience: the observation of a falling object struggling to stay standing. This object subjectively represents thousands of symbolisms for our culture, but I leave this symbology to your imagination.
Writer
São Paulo, un futuro distópico no muy lejano al presente. Un virus que ataca principalmente el cerebro y la capacidad de recordar se ha esparcido por el mundo. Tres jóvenes queer vagan por una ciudad desgarrada por la pandemia y el capitalismo desenfrenado, recordando antiguos amantes, compartiendo sus experiencias con el sida o recibiendo consejos de maquillaje.
Director
São Paulo, un futuro distópico no muy lejano al presente. Un virus que ataca principalmente el cerebro y la capacidad de recordar se ha esparcido por el mundo. Tres jóvenes queer vagan por una ciudad desgarrada por la pandemia y el capitalismo desenfrenado, recordando antiguos amantes, compartiendo sus experiencias con el sida o recibiendo consejos de maquillaje.
Writer
40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.
Director
40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.
Director
An exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.
Director
Brazil-Cuba pandemic letters.
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Art Direction
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Producer
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Screenplay
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Director
Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.
Executive Producer
In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?
Producer
In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?
Screenplay
In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?
Director
In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?
Producer
Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
Writer
Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
Director
Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.
Tiago
Two strangers visit the penthouse of a recently deceased lover, only to find themselves learning more about each other.
Namorado de Clarisse
Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.
Producer
Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.
Screenplay
Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.
Director
Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.
While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.
Screenplay
Marcelo has just been dumped by his boyfriend, who doesn't answer his messages. In a desperate try to get his attention, he puts the life of their dog Greta at risk.
Director
Marcelo has just been dumped by his boyfriend, who doesn't answer his messages. In a desperate try to get his attention, he puts the life of their dog Greta at risk.
Writer
Four siblings, whose their father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.
Screenplay
A trans woman, Anjélica, waits in her apartment while Lúcia changes the lock on her front door. While the lock is being changed, the two women converse and we learn more about their situation.
Director
A trans woman, Anjélica, waits in her apartment while Lúcia changes the lock on her front door. While the lock is being changed, the two women converse and we learn more about their situation.
Director
Tras un accidente, Mariah contrata a Tess para que que cuide de su hijo autista. Al principio todo parece ir bien, pero las intenciones de Tess no son precisamente las de ayudar a Mariah.
Writer
Tan needs to cry.
Director
Tan needs to cry.
Screenplay
Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.
Director
Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.
The most mysterious object. The most concrete thing.
Writer
En un barrio de clase media en una ciudad en el campo de Brasil, la especulación inmobiliaria es una amenaza para la memoria afectiva de un grupo de amigos. Su respuesta a esta inminente transformación es follar en los sitios de construcción. ¿Y el amor? ¿Es el amor solo una construcción?
Gustavo
En un barrio de clase media en una ciudad en el campo de Brasil, la especulación inmobiliaria es una amenaza para la memoria afectiva de un grupo de amigos. Su respuesta a esta inminente transformación es follar en los sitios de construcción. ¿Y el amor? ¿Es el amor solo una construcción?
Director
En un barrio de clase media en una ciudad en el campo de Brasil, la especulación inmobiliaria es una amenaza para la memoria afectiva de un grupo de amigos. Su respuesta a esta inminente transformación es follar en los sitios de construcción. ¿Y el amor? ¿Es el amor solo una construcción?
Lázaro Escarze, un cubano revolucionario de 87 años, vive en un pequeño pueblo y tendrá su teléfono instalado por primera vez en la vida. ¿A quién hará su primera llamada?
Writer
Lázaro Escarze, un cubano revolucionario de 87 años, vive en un pequeño pueblo y tendrá su teléfono instalado por primera vez en la vida. ¿A quién hará su primera llamada?
Director
Lázaro Escarze, un cubano revolucionario de 87 años, vive en un pequeño pueblo y tendrá su teléfono instalado por primera vez en la vida. ¿A quién hará su primera llamada?
Screenplay
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Director
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Director
Eleven filmmakers from São Paulo, Brazil, unleash a vibrant mix of voices in the fourth installment of producer Kristian Petersen's conceptual short-film series, which gives gay and lesbian filmmakers free reign to tell untold stories. Selections include Gustavo Vinagre's "Dykeland," about an all-girl rock band; Ricky Mastro's "Felizes Para Sempre," about a surprisingly happy marriage; and Joana Galvão's animated "Um Olhar."
Director
A couple in a bed. The young man wakes up, coughs a razor, leaves to shave then coughs up makeup and puts on makeup. The transformation can take place.
A couple in a bed. The young man wakes up, coughs a razor, leaves to shave then coughs up makeup and puts on makeup. The transformation can take place.
