Director
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
Director
A runaway teenage girl and a drifter rob a bank, hit the road to elude the Texas Rangers and find love on the run.
Editor
Secrets from the Dolly Madison Room This thoughts and feelings of gays with AIDS are revealed in this documentary set in a New York West Village clinic. One of the patients dies during the course of the film. The patients speak with candor and humor about their grave condition, about the support they give each other, and about their preparations for death. The outcome alternates between pathos and the upbeat.
Director
Secrets from the Dolly Madison Room This thoughts and feelings of gays with AIDS are revealed in this documentary set in a New York West Village clinic. One of the patients dies during the course of the film. The patients speak with candor and humor about their grave condition, about the support they give each other, and about their preparations for death. The outcome alternates between pathos and the upbeat.
Robert
Andrew Beckett, un joven y prometedor abogado de Philadelphia, es despedido del prestigioso bufete en el que trabaja cuando sus jefes se enteran de que ha contraído el sida. Decide entonces demandar a la empresa por despido improcedente, pero en un principio ningún abogado acepta defender su caso.
Associate Producer
Robert Castle is the idealistic pastor of St. Mary's Episcopal Church in Harlem, and also the cousin of filmmaker Jonathan Demme. Demme's affectionate portrait of his cousin traces Castle's story, beginning with his first parish assignment, in New Jersey in the early 1960s, in an increasingly African-American-populated neighborhood rocked by violence and civil rights protests. The film raises intimate discussions of race, faith and family, while also showing Castle's daily routine as a pastor.
