Guillaume Saurrel

Guillaume Saurrel

Perfil

Guillaume Saurrel

Películas

Después de mayo
Activist filmmaker
Gilles, un joven estudiante de dieciocho años, reacciona a los cambios sociales de finales de los 60, -principalmente del mayo del 68- acontencidos en Europa. (FILMAFFINITY)
Freeway
Max
A 20-year-old father (Johan Libéreau) obsessed with muscle cars must address his own guilt when he recklessly hits a young man on the freeway and flees the scene.
Two Ships
Le Zonard
The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.
Coloscopia
Jean-John
The sublime Jackie Larose, queen of the charm and the eroticism, undergoes an operation of the bowel which leaves her with a colostomy.
Carlos
Bruno Bréguet
Ilich Ramírez Sánchez, alias Carlos, es un personaje clave en la historia del terrorismo internacional de los años 70 y 80. Considerado por algunos una figura de la extrema izquierda romántica, de hecho era un mercenario oportunista que trabajaba para los servicios secretos de cualquier potencia de Oriente Medio. Además, llegó a formar, al otro lado del Telón de Acero, una organización que estuvo activa durante los últimos años de la Guerra Fría
Just Anybody
Cyril
Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.
Des sables dessinés
Self
Carrément à l'ouest
In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.