Murray Fahey

Películas

LoveStuck: The Improvised Feature Project
Producer
An improvised film; a man discovers he's emotionally stuck between his ex-girlfriend, his new girlfriend and his best friend; and in the course of a day he must follow his passion and become unstuck.
LoveStuck: The Improvised Feature Project
Director
An improvised film; a man discovers he's emotionally stuck between his ex-girlfriend, his new girlfriend and his best friend; and in the course of a day he must follow his passion and become unstuck.
Gnomebrook
Writer
Once a year 2000 garden gnomes and 10,000 gnome carers gather in the sleepy mountain hamlet of Glenbrook, for the Annual Australian Garden Gnome Convention.
Gnomebrook
Director
Once a year 2000 garden gnomes and 10,000 gnome carers gather in the sleepy mountain hamlet of Glenbrook, for the Annual Australian Garden Gnome Convention.
Cubbyhouse (La cabaña)
Co-Producer
La familia Graham se traslada de Los Ángeles a Australia esperando encontrar algunas diferencias culturales, pero no se imaginan que en su nuevo jardín habita una presencia demoníaca. La fuerza diabólica tiene la forma de una ruinosa cabaña de juegos para niños de la que el hermano mayor, Danny, pronto sospecha. Cuando sus hermanos pequeños empiezan a dar signos de estar poseídos, Danny deberá luchar contra el creciente poder maligno antes de que todas las fuerzas del mal se desaten...
Cubbyhouse (La cabaña)
Writer
La familia Graham se traslada de Los Ángeles a Australia esperando encontrar algunas diferencias culturales, pero no se imaginan que en su nuevo jardín habita una presencia demoníaca. La fuerza diabólica tiene la forma de una ruinosa cabaña de juegos para niños de la que el hermano mayor, Danny, pronto sospecha. Cuando sus hermanos pequeños empiezan a dar signos de estar poseídos, Danny deberá luchar contra el creciente poder maligno antes de que todas las fuerzas del mal se desaten...
Cubbyhouse (La cabaña)
Gary the Pest Man
La familia Graham se traslada de Los Ángeles a Australia esperando encontrar algunas diferencias culturales, pero no se imaginan que en su nuevo jardín habita una presencia demoníaca. La fuerza diabólica tiene la forma de una ruinosa cabaña de juegos para niños de la que el hermano mayor, Danny, pronto sospecha. Cuando sus hermanos pequeños empiezan a dar signos de estar poseídos, Danny deberá luchar contra el creciente poder maligno antes de que todas las fuerzas del mal se desaten...
Cubbyhouse (La cabaña)
Director
La familia Graham se traslada de Los Ángeles a Australia esperando encontrar algunas diferencias culturales, pero no se imaginan que en su nuevo jardín habita una presencia demoníaca. La fuerza diabólica tiene la forma de una ruinosa cabaña de juegos para niños de la que el hermano mayor, Danny, pronto sospecha. Cuando sus hermanos pequeños empiezan a dar signos de estar poseídos, Danny deberá luchar contra el creciente poder maligno antes de que todas las fuerzas del mal se desaten...
Dags
Director
"Dag" is an Australian term for filthy wool on the hindquarters of a sheep. It also is a slang term for an uncouth person. Therefore this film is a look at several uncouth individuals. The men are all beer drinkers and dopers who wear Hawaiian shirts, long socks, and sandals. The women are all in tank tops and hot pants and constantly after sex, but never enjoy it. One of the men gets a wild idea to get in the Guiness Book of Records by having one of his mates rob his video store every night. During one of these robberies, the robber "kidnaps" a customer and begins a romance. Meanwhile all of the other "dags" are sleeping with one another behind each other's backs.
Sex Is a Four Letter Word
Pizza Man
Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.
Sex Is a Four Letter Word
Producer
Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.
Sex Is a Four Letter Word
Writer
Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.
Sex Is a Four Letter Word
Director
Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.
Encounters
Writer
Madaline is troubled by the recurring visions of her past. The comfort of her envious life and social position are not enough to shake the haunting memories of her brother’s accidental death that Madaline blames on herself. Nightmares haunt her with images of her brother and also begin to blur with reality. Madaline’s frail state of mind has her believing that her brother has returned to kill her. Her husband disappears and a stranger from Madaline’s past threatens her life. Suspense builds and the truth is revealed in the chilling climax – Madaline’s life will never be the same again. Returning to the home where she was raised, Madaline fights to come to grips with why she was blamed for her family's death.
Encounters
Director
Madaline is troubled by the recurring visions of her past. The comfort of her envious life and social position are not enough to shake the haunting memories of her brother’s accidental death that Madaline blames on herself. Nightmares haunt her with images of her brother and also begin to blur with reality. Madaline’s frail state of mind has her believing that her brother has returned to kill her. Her husband disappears and a stranger from Madaline’s past threatens her life. Suspense builds and the truth is revealed in the chilling climax – Madaline’s life will never be the same again. Returning to the home where she was raised, Madaline fights to come to grips with why she was blamed for her family's death.
Barracuda
Paul (Photocopy Room)
Currently Unavailable
Slate, Wyn & Me
Martin
Meandering drama of Brothers Burke and Sacks, who rob a bank, kill a cop and kidnap Thornton, a witness to their crime.
Campo de exterminio
Mickey
Un autocine es en realidad, una trampa del Gobierno para atrapar a los revoltosos Car Boys (y demás escoria indeseable) y retenerlos allí. Así la sociedad se verá libre de los jovenes rebeldes que la incordian. Una vez dentro, y mientras completa el acto sexual con su novia, a Crabs le roban las ruedas del coche de su padrastro. El dueño del autocine, el siniestramente anodino señor Thompson, les informa que no hay manera de conseguir otras de recambio. Allí, además, no llegan taxis, autobuses ni se puede comunicar exteriormente con nadie. Van a tener que quedarse pasar la noche. Y pasa la noche y nada cambia, siguen allí. A su alrededor, todos los punks conviven en una especie de autocine fantasmal, con coches que no funcionan y que han sido convertidos en vivientes para sus habitantes. Todos los días comen hamburguesas, huevos y batidos en la cafetería y a las noches pasan una película de ultraviolencia y sadismo. Pero Crabs tiene una idea, y sabe que pueden huir.
I Live With Me Dad
Tom
Peter Hehir plays full-time loser Sid McCall, professional vagrant and alcoholic on the skids. Haydon Samuels is his young son Christopher who lives with him. At the insistence of those who seek to help, child welfare workers are called-in to retrieve the lad from what authorities classify as "inappropriate living conditions." Someone seems to have overlooked the fact that Christopher does not consider his plight as distressing however and with each visit to the home, all the social workers can get in the way of co-operation, is Christopher's stock-standard reply to their questions..."I live with me dad!"