Marta Kubišová

"The Magic Voice Of A Rebel" portrays the story of the Czech singer Marta Kubisová, who without never intending it, became a symbol of freedom for all generations in the newly free Czhecoslovakia in 1989. It is Marta herself who tells us her life story and how the Soviet invasion in Czechoslvakia in 1968 changed her life. Because of her deep involvement in the Prague Spring movement, she went from being the most popular singer in the country to being banned and suffering a sudden removal from the public scene by the new authorities imposed from Moscow. She refused to escape to exile and together with other banned intelectuals and artists became a disident instead. Blacklisted and persecuted by the secret police, she also suffered the betrayal of beloved people who were collaborating with the regime.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

Short Comedy skits of popular jokes. A continuation of the first movie.

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

Película compuesta por tres episodios que representan varios aspectos del amor: la tentación, los sueños y la aventura. (FILMAFFINITY)

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

En una tienda de comestibles en Praga, Alena, una atractiva joven, tiene una aventura con Vorell, el gerente de la tienda, un hombre casado. Aunque es plenamente consciente de que Vorell es un sinvergüenza que ha estado robando licor de la tienda, la necesidad física de Alena por él es tan grande que no puede romper su relación. Al llevar a cabo un inventario, se descubre que 80 botellas de brandy contienen té. Cuando los dos auditores de la compañía, Kurka y Bazant, interrogan a los empleados, Alena sale corriendo de la tienda, presa del pánico. Kurka, un hombre intolerante cuyo sentido del deber ha destrozado su matrimonio, inmediatamente culpa a Alena. Cuando Alena, totalmente perturbada, recurre a Vorell para pedirle consejo, este le sugiere con total falta de sensibilidad que asuma ella la culpa, ya que la pondrían en libertad condicional, mientras que él, en caso de ser acusado, sería enviado a prisión...