Frederick Ashton

The Sleeping Beauty holds a very special place in The Royal Ballet’s heart and history. It was the first performance given by the Company when the Royal Opera House reopened at Covent Garden in 1946 after World War II. In 2006, this original staging was revived and has been delighting audiences ever since. Frederick Ashton famously cited the pure classicism of Marius Petipa’s 19th-century ballet as a private lesson in the atmospheric art and craft of choreography. Be swept away by Tchaikovsky’s ravishing music and Oliver Messel’s sumptuous designs with this true gem from the classical ballet repertory.

Viaja con el Royal Ballet a un mundo encantado de princesas y hadas madrinas en la histórica producción de Marius Petipa con música de Tchaikovski. Esta producción de la Bella Durmiente lleva deleitando al público de Covent Garden desde 1946. Un clásico del ballet ruso que coronó al Royal Ballet en su nueva sede, tras la Segunda Guerra Mundial, como gran compañía a nivel mundial. Sesenta años después, en 2006, se ha rescatado la puesta en escena original, volviendo a los magníficos diseños de Oliver Messel y a los deslumbrantes trajes. La gran partitura de Pyotr Il’Yich Tchaikovski y la coreografía original de Marius Petipa combinan a la perfección con las variaciones creadas para The Royal Ballet por Frederick Ashton, Anthony Dowell y Christopher Wheeldon. Un ballet que hechiza a todo aquel que lo ve.

CONCERTO ENIGMA variaciones raymonda

The Royal Ballet performs Tchaikovsky's classic ballet, choreographed by Liam Scarlett and starring Marianela Nunez as Odette/Odile and Vadim Muntagirov as Prince Siegfried.

The Dream: Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory. Symphonic Variations: Ashton was inspired to create a ballet on the four seasons – but as he began to choreograph he refined and purified until the ballet shook off its original meaning, emerging as an abstract celebration of movement and physicality. Marguerite and Armand: Marguerite, a Parisian courtesan, lies on her deathbed. She recalls her tragic love affair with Armand in a series of feverish flashbacks.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.

This DVD showcases Frederick Ashton's version widely regarded as the definitive interpretation initially devised for the London Royal Ballet in 1960 and first screened on the BBC over the Christmas period of 1962. This performance featured the cast of the 1960 original, with Nadia Nerina in a role that Ashton created with her in mind. Nerina's "joyous, soaring skill, which is Lise's signature (Financial Times) and David Blair's technical and interpretative genius in the role of Colas are perfectly offset by Stanley Holden's hilarious travesti turn as Widow Simone, and Alexander Grant, who brings pathos and humour to the character of Alain.

The Tales of Beatrix Potter is a 1992 ballet adapted for stage by Anthony Dowell from the 1971 film The Tales of Beatrix Potter that was choreographed by Frederick Ashton that in turn was based on the children's books by Beatrix Potter.

La gloriosa reinterpretación del Ballet Real de su obra distintiva, en directo desde el Teatro Real de Ópera. La mejor música de Tchaikovsky y la impresionante coreografía de Marius Petipa funcionaron en perfecta armonía, haciendo que "La bella durmiente" fuese un éxito inmediato cuando se estrenó en San Petersburgo allá por 1890. Desde entonces, se ha convertido en uno de los ballets más famosos de todo el repertorio clásico. Peter Farmer reinventa los llamativos decorados de Oliver Messel y hay coreografía adicional de Anthony Dowell, Christopher Wheeldon y Frederick Ashton.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.

The Sleeping Beauty unites Petipa's demanding but enchanting choreography with Tchaikovsky's wonderful score in one of the best-loved of all classical ballets. This recording of Anthony Dowell's 1994 production for The Royal Ballet, with designs by Maria Björnson, features an outstanding cast led by Viviana Durante as a radiant Princess Aurora. She is partnered by Zoltán Solymosi as Prince Florimund and Anthony Dowell himself is a glitteringly elegant embodiment of evil as the wicked fairy Carabosse. The Royal Ballet, exceptional as ever, is accompanied by the Orchestra of the Royal Opera House, deftly conducted by Barry Wordsworth.

Una ex bailarina se ve obligada a enfrentarse a la decisión de dejar el escenario por su familia cuando su hija se une a una compañía de ballet.

The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.

The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.

A documentary record of the 1968 ballet by Frederick Ashton, performed by The Royal Ballet at the Royal Opera House.

Filmed on the stage of London's Covent Garden. Includes extracts from Swan lake, Ondine & The Firebird.

La película consta de tres episodios. "El amante celoso" es la historia de una bailarina (Moira Shearer) que se ve forzada a abandonar la danza a causa de una lesión cardíaca. "Mademoiselle", es una fábula fantástica sobre un niño de once años (Ricky Nelson) que se convierte en adulto por unas horas, para seducir a su institutriz (Leslie Caron). "Equilibrio" narra la tragedia de un trapecista (Kirk Douglas) que intenta animar a una mujer al borde del suicidio (Pier Angeli).

Hoffmann asiste a un ballet y se enamora de Stella, una de las bailarinas. En el entreacto se dirige a una taberna para una cita secreta con ella. En la misma le contará a tres estudiantes tres historias de sus amores pasados. Adaptación al cine de una popular ópera homónima.

During the Edwardian era, a working-class ballet dancer begins a romance with a wealthy artist against a background of sharp disapproval.

TV presentation of the ballet by Sir Frederick Ashton, performed by the Royal Ballet.