Andrey Moskvin

Películas

La dama del perrito
Camera Operator
Adaptación del relato de Anton Chejov. Durante un fin de semana en Yalta, el banquero moscovita Dimitri Gurov conoce a una joven que pasea con su perro. Ella es Anna Sergeyovna, una mujer atrapada en un matrimonio sin amor. Dimitri también es infeliz en su matrimonio. Se inicia un romance, que se corta con el fin de su estancia en Yalta. Dimitri pasa todo el invierno con la idea de volver a ver a Anna, desesperado va a buscarla, pero entonces surge la pregunta: ¿asumirán su relación o la mantendrán como una serie de encuentros a escondidas?
Iván el Terrible, segunda parte: la conjura de los boyardos
Director of Photography
Mientras Iván el Terrible intenta consolidar su poder estableciendo un ejército personal, sus rivales políticos, los boyardos rusos, se conjuran para asesinar a su zar.
The Gadfly
Director of Photography
Italy, XIX century. The country is occupied by Austrian troops, the resistance movement is actively developing. Student Arthur Burton is involved in the activities of the underground organization “Young Italy”, envies its leader, Giovanni Bolla, and is jealous of his bride Gemma. He talks about this at a confession to a priest, as a result of which gendarmes take revolutionaries under arrest...
Sunrise Over the Neman
Director of Photography
The rise of a Lithuanian collective farm in the post-war years and the struggle against the remnants of the past in people's minds.
Belinsky
Director of Photography
A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.
Pirogov
Cinematography
A biopic based on the life of Russian scientist and doctor Nikolai Ivanovich Pirogov (1810-1881), famous for being the founder of field surgery.
Simple People
Cinematography
A 1945 Soviet war film which, along with the second part of Eisenstein's Ivan the Terrible was harshly criticized by Andrei Zhdanov and banned. A version of the film, released in 1956 during the Khrushchev Thaw, was disowned by director Grigori Kozintsev because the reediting was done without his participation.
Iván el Terrible
Director of Photography
Al inicio de su reinado, Iván el Terrible afronta la traición de la aristocracia e incluso de sus amigos más cercanos mientras busca unir al pueblo ruso.
Actress
Director of Photography
Zoya Vladimirovna Strelnikova, a famous operetta actress, quits the theater and gets a nanny in a military hospital. There she meets the wounded major Peter Nikolayevich Markov.
Боевой киносборник 13: Наши девушки
Cinematography
One of the anthology films about Soviet citizens resisting the Nazi invaders during World War II, the feature consists of two stories, one about a teenage woman telephone operator who sacrifices herself, the other about a farm girl tending a sick pig who deals with two paratroopers seeking shelter.
Alone
Director of Photography
A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.
The New Babylon
Cinematography
In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.
Katka's Reinette Apples
Director of Photography
A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.
El capote
Cinematography
Historia de Akaki Akákievich Bashmachkin, un funcionario de San Petersburgo que trabaja como copista en los escalafones más bajos de la administración rusa. Pese a su humilde condición, debe gastar todos sus ahorros en encargar un nuevo capote para protegerse del duro invierno petersburgués
The Devil's Wheel
Cinematography
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.