Creative Consultant
Una semblanza del desencanto y del fin del amor a través de dos parejas, dos historias separadas por treinta años. Grecia, 1984. Kenneth, inglés, y Theres, alemana. Mochila al hombro, se ganan su sustento cantando en un parque. Cuando Kenneth tiene que partir porque su madre está en el hospital, algo difícil de recuperar se rompe. Treinta años más tarde, Ariane, actriz de televisión, deja a su marido tras una crisis matrimonial. En el Berlín de 2014, ambas historias confluirán.
Camera Operator
Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.
Thomas' Partner
Dos jóvenes mujeres sentadas en una cafetería un día de verano. Situaciones que se encuentran todos los días unas mil veces. Pero, ¿qué ocurre cuando intentas describir esa normalidad?
Film by Wolfgang Schmidt.
Writer
Documentary on journalism in Berlin.
Director
Documentary on journalism in Berlin.
himself
Portraits of students of Berlin Film School.
Writer
Tragic story about two men, one searches for gold, the outher is a photographer.
Director
Tragic story about two men, one searches for gold, the outher is a photographer.
Writer
Experimental short about architectural structures in Berlin.
Director
Experimental short about architectural structures in Berlin.
