Jiří Stivín

This quirky documentary follows Vaclav Havel on an eye-opening journey across his native Czechoslovakia in the days before he became president of the Czech Republic. A leading playwright, essayist, intellectual and political dissident in 1985, Havel decides to explore the limits of the secret police by traveling and visiting a variety of friends. Along the way, he's thrown in jail twice and followed by hundreds of undercover cops.

Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.

The story, written by former George Stransky former political prisoners and today's chairman Pen Club is situated to 50 years and uranium camp of political prisoners in Pribram, where after the fall of the Stalinist cult comes at the end of 1958 as a prisoner of the former Chief of Main Administration of correctional facilities Colonel Good. Former chief topic of coexistence, "a guard" and political prisoners in the Bolshevik camp served timeless makers to reflect on the possibility (or impossibility) of forgiveness and a sense of justice. The film, unfortunately, below expectations - mainly because of its rarity and lack syžetovou arching dramatic arc of the story, including natural gradation. Nice camera and vice versa are cast, formed literally myriad of top Czech actors. A representative of one of the main roles - Jiri Schmitzer in 1997 was awarded the Czech Lion.

The evils of totalitarianism provide the central message of this Czech-French drama. The film is set in a quiet, rural village headed by a suspicious, conspiring group of nasty leaders. Evald has come there to measure water levels. Surrounding the fortress near the village are soldiers

A modern version of a classical fairy-tale by Hans Christian Andersen about a veteran who got rich thanks to a magic flint and thus he could marry a beautiful princess.

Film director Drahomíra Vihanová is preparing some interviews with two women. The women are at first sight opposites, but in reality they have much in common. Through the interviews the film director hopes to get a deeper understanding of herself as well. What unite all three of them is creativity, what creativity means for women, and how they combine their creative projects with their daily life.

János is present at one of Tamás's concerts in the country. After the concert, he takes Tamás's son home in his car, while the couple worry about their son's whereabouts. Later they meet again. Once they played together and were good friends, but János left the band and they had to find a new pianist. The new pianist, Zsuzsa, also meets János. The two of them go to see the amateur film made of the one-time band.

A courtship journey of Mr. Pip

Surreal short animation about a clever girl with an amazing memory. Things go well for her until she can't remember facts about polar bears for a school project.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

Cartoon tennis match, with players based on Bjorn Borg and John McEnroe.

El conflicto entre razón y fe, la ausencia de Dios y la mentalidad pagana fue el eje argumental de una de las películas más recordadas de Frantisek Vlácil: El valle de las abejas.

Fati Farari, a black man from Africa, is completing his studies in classical piano at the Music Academy of Prague. It's the day before his first solo concert, where he is going to play Bach. While he strolls around the city he is thinking, not so much about the concert as about himself, both as a lonely foreigner and as a human being in cosmos. Here and there he encounters some racist comments, but mostly he just feels the weight of social exclusion because of his otherness, especially when it comes to women. On the morning of the day for his concert the embassy informs him that his whole family has perished. He feels totally broken, although he thinks that everyone holds some pain inside. His piano teacher, a professor at the Academy, looks him up, and tells him that he heard what has happened. The professor advises him to communicate his feelings that evening by using his Bach.

The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime.

African student Omar would like to return home to Angola, but he is enrolled in a three-year postgraduate research fellowship at a clinic in Prague. One day while seeing off a friend at the airport, he and a girl named Mariama are brought together by chance as he offers to accompany her in an unfamiliar city toward the International Student Club, where she plays bass in a jazz orchestra.

When a man stops at a motel one evening in 1961, his tormenting behavior drives one of the people present at the motel to remember his experiences in a concentration camp during WWII.