Andreas Döhler

A teenage girl's family falls for a cosmic cult promising salvation in a higher existence on Jupiter. As flashbacks leading deeper into the past unravel the family's struggle to get a hold on life, the girl has to decide if to follow her parents or to make her own way on earth.

A snack bar owner smokes with his Muslim neighbor in the stairwell of their apartment building at night. Her husband is his good friend. They draw closer to one another as the nights go on and look out over the city to the dark satellites, the brutalist concrete buildings on the outskirts of the city - relics of the GDR past. A security guard watches over Objekt 95, a satellite town with a residential complex which many foreigners call home. While on patrol at night, he gets to know a young Ukrainian woman who fled her home country when the war broke out. He wants to protect her, while his friend, the “old security guard”, radios to him from an abandoned Russian barrack night after night. A woman from the train cleaning service drinks in a train station bar after her night shift. There, she meets a hairdresser. The two of them become friends and spend many nights together in the station. Every night, her desire grows even greater for this woman who is exactly as lonely as she is.

Paul Baumer y sus amigos Albert y Muller, incitados por sueños románticos de heroísmo, se alistan voluntariamente en el ejército alemán. Llenos de emoción y fervor patriótico, los muchachos marchan con entusiasmo hacia una guerra en la que creen. Pero una vez en el frente occidental, descubren el horror destructor del alma de la Primera Guerra Mundial.

Una comedia marxista de vampiros en la que los Monty Python, Kaurismaki y Wes Anderson se dan la mano. Es 1928 y Lyovischka, trabajador/actor soviético, escapa de su país tras la Revolución (y tras sus roces con Eisenstein y la censura) y recala en una mansión en el Mar Báltico donde vive la aristócrata Octavia. Un romance improbable triangulado por el extraño asistente personal de la millonaria, en el que se prueba que cuando Marx habla en El capital de “vampiros capitalistas” no se trata de una metáfora.

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft.

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

The film tells the story of a young woman trapped between her own desires and the expectations of the others.

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Five houses, one bus stop, cows and nothing but fields. 24-year-old Christin lives on the farm of her long-term boyfriend Jan. The exciting post-reunification years that defined her childhood are long gone. Her relationship is loveless. She keeps the cherry liqueur close at hand. In the shimmering heat of summer, time seems to stand still – until 46-year-old wind energy engineer, Klaus, arrives.

In Hamburg's Elbtunnel, a man is shot in the middle of a traffic jam in his car. The murder victim obviously belonged to a group trying to discover abandoned places first. The investigators suspect an act of revenge by a competitor.

It's the summer of 1990, two teenagers in Germany fall in love - an innocent first love, shortly before the German reunification. Katja (16) is from West-Berlin, Thorben (17) from GDR. Their families are fighting over a house in Kleinmachnow (a suburb of East-Berlin), where Thorbens family has been living since the 70ies, but where Katjas father grew up. The family had to emigrate to West-Berlin in 1961, just before the Berlin Wall was built. Later, the house was dispossessed under GDR-rule. Now, Katjas father demands restitution. The conflict grows bitterer and threatens to tear apart both families. It is about old wounds and new prejudices. While being in the middle of Germanys swiftly progressing process of reunification, Katja and Thorben have to fight for their love.

Sophie and Georg once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.

Film by Jan Bonny, also known as "Endlich Leben".

“Si no conviertes las cosas en un problema, entonces no son un problema”. Esta es la actitud que adopa Janne (Aenne Schwarz) con respecto al hecho de haber sido violada por el cuñado de su nuevo jefe. Simplemente, acepta lo que ha sucedido y sigue viviendo su vida como si nada hubiese ocurrido. Su silencio, no obstante, tiene consecuencias, especialmente en lo que respecta a su amigo Piet y en lo sentimientos que experimenta hacia él.

Katharina became a mother after an artificial insemination when she died in a traffic accident. Although her wife Ellen is the guardian of little Franz, she has custody - unlike in heterosexual marriages - without adoption but not. And not only the biological father of the child, also the parents of the deceased Katharina make claims.

A family reunion aboard a ship becomes a turning point in the life of 39-year-old engineer Markus. When his son Adam (4) gets a little cut after going to the bathroom with his grandmother Renate, Markus recalls for the first time what his mother did to him when he was a little boy. Markus and his wife Monika find themselves confronted with an ugly truth of the kind you wouldn’t think a mother capable of.

Torsten wasn't looking for anything. He just bought the lottery ticket to keep the peace with his lotto-enthusiastic co-workers. Eventually, he's forced to think about what to do with such a big win, when his ticket hits the jackpot. And he soon realizes, that he is the only one not having an answer to that question. His wife Susanne already knows what to do with their new found wealth. His son Lutz also makes plans. The shock-wave of this "lottobomb" tears Torsten's orderly world apart and leaves him with the question of who he really is.

Sebastian (Mark Waschke) is a physics professor at the University of Jena and dealing for years with parallel universes. Meticulously, he tries to prove its existence scientifically. His college friend Oskar (Stipe Erceg), professor of theoretical physics at CERN in Geneva, smiles at Sebastian's firm belief in parallel universes and the many-worlds theory. In order to devote himself to the evidence in peace, Sebastian brings his son Nick to a summer camp, while his wife Maike (Bernadette Heerwagen) is on vacation in the mountains. At a rest stop Nick disappears out of the car and so for Sebastian a nightmare begins. Increasingly he is loosing more and more control. What really happened? It is fatal to his own theory? And who is this mysterious Schilf, which occurs abruptly in Sebastian's life?

Alemania, principios de los años sesenta. El joven Bernward Vesper (August Diehl), que aspira a ser escritor, intenta, al mismo tiempo, probar la inocencia de su padre, el poeta Will Vesper, acusado de simpatizar con el nazismo. Mientras tanto, Bernward conoce a Gudrun (Lena Lauzemis) y a su amiga Dörte (Vicky Krieps) y surge entre ellos un "menage à trois" sin futuro, porque Bernward y Gudrun están enamorados. Su historia de amor está llena de de placeres, dolores y excesos. Pero, al cambiar radicalmente la situación de Alemania, ambos deciden participar activamente en la historia de su país. (FILMAFFINITY)