Hausdame im "Imperial"
Frau Pingel
Ingrids Tante
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Auguste Naumann, seine Frau
Shortages in postwar Berlin have created a blooming black market, and the goods rounded up during a major police raid all seem to come from the same source. The trail leads Commissioner Naumann to the Alibaba Cabarett, but he is unable to find conclusive evidence to convict its owner Goll.
Mutter des kranken Kindes
Este el primer filme producido en Alemania tras la Segunda Guerra Mundial, con el auspicio de los recién creados estudios DEFA. Un hombre y una mujer regresan a un Berlín en ruinas; la mujer, Susanne Wallner, es una superviviente de un campo de concentración, que a pesar de los horrores que ha sufrido desea reiniciar su vida. Al regresar a su apartamento, encuentra que el Dr. Hans Mertens está viviendo ahí. El médico es atormentado por las memorias de su rol en la guerra.
Fräulein Leser