Bernhard Hetzenauer

Bernhard Hetzenauer

Historia

Bernhard Hetzenauer was born in Innsbruck, Austria, and works as a filmmaker, writer, curator and visual artist in Germany, Austria, Mexico and South America. He studied film, fine arts and psychotherapy in Vienna, New York, Quito, Buenos Aires and Hamburg, with Bernhard Kleber, Helga Reidemeister, Wim Wenders and Pepe Danquart among others. Diploma degree from the University of Applied Arts Vienna. MFA degree from the University of Fine Arts Hamburg. His film and visual arts projects were shown in 28 countries and received various Austrian and international awards.

Perfil

Bernhard Hetzenauer

Películas

The Birthmark
Editor
Mexico City, August 31st. It was Victoria Sala's birthday. Her mother Consuelo was waiting for her daughter to come home to celebrate. Never could she imagine that this day would change her life forever.
The Birthmark
Cinematography
Mexico City, August 31st. It was Victoria Sala's birthday. Her mother Consuelo was waiting for her daughter to come home to celebrate. Never could she imagine that this day would change her life forever.
The Birthmark
Director
Mexico City, August 31st. It was Victoria Sala's birthday. Her mother Consuelo was waiting for her daughter to come home to celebrate. Never could she imagine that this day would change her life forever.
La Sombra de un Dios
Editor
Chon, a member of the Native Mexican Wirrárika community, tells the story of his cousin Faustino, son of the shaman of an indigenous settlement in the mountains of Nayarit called La Mora. In the 1980s Faustino had proclaimed himself to be god and the community´s spiritual leader, which then had been accepted by his father and the inhabitants. Together with an armed group he menaced and terrorized other neighboring villages. When Chon witnessed his cousin kill various members of their own community, he escaped La Mora and reported the incidents to the police.
La Sombra de un Dios
Cinematography
Chon, a member of the Native Mexican Wirrárika community, tells the story of his cousin Faustino, son of the shaman of an indigenous settlement in the mountains of Nayarit called La Mora. In the 1980s Faustino had proclaimed himself to be god and the community´s spiritual leader, which then had been accepted by his father and the inhabitants. Together with an armed group he menaced and terrorized other neighboring villages. When Chon witnessed his cousin kill various members of their own community, he escaped La Mora and reported the incidents to the police.
La Sombra de un Dios
Producer
Chon, a member of the Native Mexican Wirrárika community, tells the story of his cousin Faustino, son of the shaman of an indigenous settlement in the mountains of Nayarit called La Mora. In the 1980s Faustino had proclaimed himself to be god and the community´s spiritual leader, which then had been accepted by his father and the inhabitants. Together with an armed group he menaced and terrorized other neighboring villages. When Chon witnessed his cousin kill various members of their own community, he escaped La Mora and reported the incidents to the police.
La Sombra de un Dios
Screenplay
Chon, a member of the Native Mexican Wirrárika community, tells the story of his cousin Faustino, son of the shaman of an indigenous settlement in the mountains of Nayarit called La Mora. In the 1980s Faustino had proclaimed himself to be god and the community´s spiritual leader, which then had been accepted by his father and the inhabitants. Together with an armed group he menaced and terrorized other neighboring villages. When Chon witnessed his cousin kill various members of their own community, he escaped La Mora and reported the incidents to the police.
La Sombra de un Dios
Director
Chon, a member of the Native Mexican Wirrárika community, tells the story of his cousin Faustino, son of the shaman of an indigenous settlement in the mountains of Nayarit called La Mora. In the 1980s Faustino had proclaimed himself to be god and the community´s spiritual leader, which then had been accepted by his father and the inhabitants. Together with an armed group he menaced and terrorized other neighboring villages. When Chon witnessed his cousin kill various members of their own community, he escaped La Mora and reported the incidents to the police.
City of Elephants
Co-Producer
Set in a small former mining community in the mountains of Bosnia, the film follows the locals' everyday life and their search for life's work.
Und in der Mitte der Erde war Feuer
Director
Dos historias de vida en apariencia inconexas descubren el nudo que las une en Ecuador. Vera Kohn, psicóloga y maestra zen, llegó al Ecuador huyendo de la segunda guerra mundial en 1939. Hace unos pocos años, Bernhard Hetzenauer, se conecta con ella. Ambos tienen algo en común. La película establece un diálogo entre la historia de vida de Kohn, que tuvo que abandonar Praga para huir del régimen nazi, y el peso que ejerce sobre Hetzenauer el vínculo que tuvo su abuelo con el nazismo en esa misma época. (FILMAFFINITY)
Und in der Mitte der Erde war Feuer
Dos historias de vida en apariencia inconexas descubren el nudo que las une en Ecuador. Vera Kohn, psicóloga y maestra zen, llegó al Ecuador huyendo de la segunda guerra mundial en 1939. Hace unos pocos años, Bernhard Hetzenauer, se conecta con ella. Ambos tienen algo en común. La película establece un diálogo entre la historia de vida de Kohn, que tuvo que abandonar Praga para huir del régimen nazi, y el peso que ejerce sobre Hetzenauer el vínculo que tuvo su abuelo con el nazismo en esa misma época. (FILMAFFINITY)
A estas alturas de la vida
Additional Camera
Martin and Daniel are inseparable friends. One is a bureaucrat who seeks to overcome every day, even though deep down he knows he will never leave his office desk. The other is a womanizer unstable without goals, but with a mathematical gift.