Barbara O. Jones

An American woman doctor comes to Tanzania to work at a hospital for the mentally disturbed, with her Tanzanian lover. There, she meets a sometimes catatonic patient, Samahe, who seems to be in communication with another reality. In their confrontation with their individual and collective pasts, Dr Asira and Samehe are bound by fears and half remembered images of unbearable pain. Only through the spirit of Maangamizi, can the women resume their lives with an understanding of the ancestors and their eternal presence in a world of cruelty, hatred and death. It is a story that seeks to reclaim the connection between Africa and her Diaspora, and one that dares to represent the histories of two continents as it peels away layers upon layers of pain to bring healing of the soul.

Un vistazo a la cultura Gullah de las islas de la costa de Carolina del Sur y Georgia, donde las culturas africanas se mantuvieron hasta bien entrado el siglo XX y fue uno de los últimos bastiones de estas costumbres en los Estados Unidos. Ambientada en 1902.

This innovative drama, set in Ohio, traces an African American couple's search for intimacy and friendship. The spirited, African-identified Yasmine Allen is a writer and single mother who has been dating saxophone teacher Craig Watkins for a month. Wishing to end her self-imposed celibacy following her son's birth, Yasmine has reached a turning point in the relationship-but Craig, the Big Lug, wants to take it slow. Sage advice from friends and family members remind them, "sex is a powerful thang." Like her highly acclaimed CYCLES, Davis's film incorporates animation as well as Afro-Haitian dance in a rich exploration of the lives of African Americans.

Ex-slave and former Union soldier Gideon Jackson represents other ex-slaves at the constitutional convention, and is soon elected to the U.S. Senate despite opposition from white landowners, law enforcement and the KKK. He unites with sharecropper Abner Lait, who helps Jackson unite ex-slaves and white tenant farmers.

The story of Dorothy and her husband T.C. He is a discharged Vietnam veteran who thought he would return home to a "hero's welcome." Instead he is falsely arrested and imprisoned for a crime he didn't commit. Her life revolves around the welfare office and a community facing poverty and unemployment. As a result of the film's events, both the main characters become radicalized and Dorothy eventually turns to violence.

An African nun is consumed by fear and doubt about her decision to take the solemn vows of poverty, chastity and obedience. Her anguish intensifies night after night as she lies on a hard bed in her small room at the convent and listens to the rhythmic, beckoning drums of her village.

A woman dressed in a robe, hands bound, is being transported through a barroom into a jail cell, directly outside of which later appears a jury box filled with jurors. Linearity is rejected as space is treated poetically, following the coordinates of a propulsive social idea - the social imprisonment of black women.

Young black man joins a black nationalist group, which is betrayed by a turncoat.