Niels A. Hansen

Eva, a recently divorced, single mom, goes away for a weekend at a spa with her childhood friend Marlene to help her get through her midlife crisis. Isabella, the new girlfriend of Eva's ex-husband, has also joined the trip and is trying hard to become Marlene's new best friend. Eva's friendship with Marlene is at risk, as the women reveal their worst sides during an unfortunate Brazilian wax, a failed pheasant hunt and other trials. The question is: Can Eva fix things between her and Marlene, build a healthy relationship with Isabella and still save her son's birthday?

Can Raniya get past her family’s prejudice in order to find love with a woman for the first time or will she keep running away from how she feels?

Michael lives in a housing project. He and his friends make music together. Michael is clearly the biggest talent in the group, and one day he is discovered by the established rapper Apollo who makes Michael his ghostwriter. A big opportunity for Michael, this also means moving forward without his friends and breaking the unwritten rule of loyalty. Michael focuses on his music, hoping that the situation will resolve itself. As his friends lose their patience, a dramatic showdown is inevitable.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

A Space Exodus quirkily sets up an adapted stretch of Stanley Kubrick's Space Odyssey in a Middle Eastern political context. The recognisable music scores of the 1968 science fiction film are changed to arabesque chords matching the surreal visuals of Sansour's film.

Jørgen lives abroad, but every summer he comes back to Denmark with his wife. He invites, as usual, his neighbours and their teenager son, Thomas, for dinner at his place. Only, this time there is a strange tension in the air between the adults. After dinner, Jørgen and Thomas go to the beach for a walk. They discover that both have secret problems, and the fact they cannot talk about them is creating great stress. As they disclose their secrets to each other, a friendship starts. But through the course of the next two summers their relationship develops in a way they would never have expected.