Alexandre Koberidze

Alexandre Koberidze

Nacimiento : 1984-10-19, Tbilisi, Georgia

Historia

Alexandre Koberidze (Georgisch: ალექსანდრე კობერიძე; born October 19, 1984; Tbilisi) is a Georgian filmmaker, screenwriter, editor and actor. He is currently studying cinema at the German Film and Television Academy in Berlin. "Colophon" (2015) is his first short film and was presented in Oberhausen. His second feature, "Let the Summer Never Come Again" (2017) has been to FID Marseille where it won the Grand Prix of the International Competition. In 2021 Koberidze received for his second feature film "What do we see when we look at the sky?" (2021) an invitation to the competition at the 71st Berlin International Film Festival . [14] In the almost two and a half hour long work, he again devoted himself to the “poetry of aimlessness”, as previously shown in Let the summer never come again . [15] The romance film takes place in the Georgian city of Kutaisi and is about lovers who fall victim to a curse. Although the work did not receive an award from the competition jury, Koberidze was awarded the FIPRESCI Prize.

Perfil

Alexandre Koberidze
Alexandre Koberidze

Películas

Bloodsuckers
Ljowushka
Una comedia marxista de vampiros en la que los Monty Python, Kaurismaki y Wes Anderson se dan la mano. Es 1928 y Lyovischka, trabajador/actor soviético, escapa de su país tras la Revolución (y tras sus roces con Eisenstein y la censura) y recala en una mansión en el Mar Báltico donde vive la aristócrata Octavia. Un romance improbable triangulado por el extraño asistente personal de la millonaria, en el que se prueba que cuando Marx habla en El capital de “vampiros capitalistas” no se trata de una metáfora.
¿Qué vemos cuando miramos al cielo?
Editor
Una joven pareja decide darse cita en un bar tras coincidir diversas veces por la calle. Pero, como en un cuento de hadas, el día del encuentro ambos han trasmutado su apariencia y son incapaces de reconocerse.
¿Qué vemos cuando miramos al cielo?
Writer
Una joven pareja decide darse cita en un bar tras coincidir diversas veces por la calle. Pero, como en un cuento de hadas, el día del encuentro ambos han trasmutado su apariencia y son incapaces de reconocerse.
¿Qué vemos cuando miramos al cielo?
Director
Una joven pareja decide darse cita en un bar tras coincidir diversas veces por la calle. Pero, como en un cuento de hadas, el día del encuentro ambos han trasmutado su apariencia y son incapaces de reconocerse.
Linger on Some Pale Blue Dot
Director
One man, one night, one wonder.
30th anniversaire of FIDMarseille
Producer
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
30th anniversaire of FIDMarseille
Editor
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
30th anniversaire of FIDMarseille
Screenplay
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
30th anniversaire of FIDMarseille
Director
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
ROOM H.264: Astoria, NY, January 2018
This film, to be shot, edited, finished, and screened all within the dates of the First Look festival, is an open-ended homage to Wim Wenders's documentary Room 666. As in Wenders's original, visiting filmmakers, alone with a camera in a hotel room, will answer the question "Is cinema a dead language, an art which is already in the process of decline?" Participants will include an international selection of filmmakers visiting for First Look 2018.
The Invisible Film
The famous director Sandro is shooting invisible films with faith in the purity of his work. Having promised the leading role of his new film to his big love, he has to face the fact that there is nothing to see in his films.
The Perfect Spectator
Screenplay
Where should one go to do things which are forbidden? Some place where it’s dark.
The Perfect Spectator
Director
Where should one go to do things which are forbidden? Some place where it’s dark.
Let the Summer Never Come Again
Director of Photography
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Let the Summer Never Come Again
Editor
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Let the Summer Never Come Again
Writer
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Let the Summer Never Come Again
Director
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village.
Self-Criticism of a Bourgeois Dog
Sachbearbeiter
The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
Colophon
Editor
A young man and a woman on a boat.
Colophon
Writer
A young man and a woman on a boat.
Colophon
Director
A young man and a woman on a boat.
Man müsste Räuber sein oder wenigstens Sprengmeister
Young people try to live a life of crime.
A Proletarian Winter's Tale
Otar
Three young Georgians have to clean a castle in Berlin, where a German arms manufacturer's art collection is being set up for an exhibition. Of course, the proletariat isn't welcome at the opening party and they are banished to a servants' room in the attic. Downstairs, however, a splendid buffet attracts them - so why not just ignore the unfair prohibition and cross the line of class society? Didn't the French Revolution start over a piece of cake?
Looking back is Grace
Editor
Three people were sitting in the cafe when the man enters. Not all saw the donkey, he has staked out. No one could remember what he ordered. Wherever he went, and no one knew. But a short time later, three people are dead.
Looking back is Grace
Writer
Three people were sitting in the cafe when the man enters. Not all saw the donkey, he has staked out. No one could remember what he ordered. Wherever he went, and no one knew. But a short time later, three people are dead.
Looking back is Grace
Director
Three people were sitting in the cafe when the man enters. Not all saw the donkey, he has staked out. No one could remember what he ordered. Wherever he went, and no one knew. But a short time later, three people are dead.
Dancing Alone
Production Manager
Tourist
Production Assistant
When Sabine finds herself back with her old circle of friends, she struggles to find just how and where she fits into the picture, finally turning the playfulness into a destructive game.
Uh, It's Great Here
Short film set at Berlin Potsdamer Platz.
Uh, It's Great Here
Line Producer
Short film set at Berlin Potsdamer Platz.
Die Finanzen des Großherzogs Radikant Film
Line Producer
Short film set in a castle.
Zoe
Production Manager
Zoe, a young girl nearly out of her teens, strolls aimlessly through the nights and clubs of Berlin. Longing for intimacy and security, she subjects herself to repeated, indiscriminate sex, until a chance encounter opens her eyes to another possibility - exploitation of her body. The game intrigues her for a while...
Dry Leaf
Co-Producer
Lisa, a photographer, goes missing. The last information on Lisa is that she's been photographing football stadiums in seven different villages all over Georgia. Her dad Irakli decides to search for her and travels to those places. Levani, Lisa's best friend and an invisible person, sets off to help. As the scenery changes from one football stadium to another, people change and people's stories change. Tensions build up on those simple and sometimes fun adventures as every football pit and every village travelled leaves less of a chance to find Lisa at all.
Dry Leaf
Writer
Lisa, a photographer, goes missing. The last information on Lisa is that she's been photographing football stadiums in seven different villages all over Georgia. Her dad Irakli decides to search for her and travels to those places. Levani, Lisa's best friend and an invisible person, sets off to help. As the scenery changes from one football stadium to another, people change and people's stories change. Tensions build up on those simple and sometimes fun adventures as every football pit and every village travelled leaves less of a chance to find Lisa at all.
Dry Leaf
Director of Photography
Lisa, a photographer, goes missing. The last information on Lisa is that she's been photographing football stadiums in seven different villages all over Georgia. Her dad Irakli decides to search for her and travels to those places. Levani, Lisa's best friend and an invisible person, sets off to help. As the scenery changes from one football stadium to another, people change and people's stories change. Tensions build up on those simple and sometimes fun adventures as every football pit and every village travelled leaves less of a chance to find Lisa at all.
Dry Leaf
Director
Lisa, a photographer, goes missing. The last information on Lisa is that she's been photographing football stadiums in seven different villages all over Georgia. Her dad Irakli decides to search for her and travels to those places. Levani, Lisa's best friend and an invisible person, sets off to help. As the scenery changes from one football stadium to another, people change and people's stories change. Tensions build up on those simple and sometimes fun adventures as every football pit and every village travelled leaves less of a chance to find Lisa at all.