Jonathan Vinel

Within my walls, many people are taking a break. Waiting to live.

Within my walls, many people are taking a break. Waiting to live.

Within my walls, many people are taking a break. Waiting to live.

In Corsica, a woman chooses to care for the earth by burning it.

In Corsica, a woman chooses to care for the earth by burning it.

In Corsica, a woman chooses to care for the earth by burning it.

In Corsica, a woman chooses to care for the earth by burning it.

In Corsica, a woman chooses to care for the earth by burning it.

In Corsica, a woman chooses to care for the earth by burning it.

Nearly 3 hours of LGBTQ and Coming-of-Age short films and music videos await you in the debut of Altered Innocence’s cinematic mixtape supreme! Films from established auteurs like Peter Strickland, Cam Archer, João Nicolau, and Yann Gonzalez join fresh new voices such as Alexis Langlois, Shaun Hughes, Caroline Poggi, and Jonathan Vinel. Cruising, dancing, naked wrestling, trans terrorism, first love, bullies, femme fatales, band practice, and more is in store! The short films are: After School Knife Fight (2017); Bunny (2018); Doors Cut Down [En malas compañías] (2000); Gabber Lover (2016); Wild Haggis [Gambozinos] (2013); GUO4 (2019); Hunt [Jakt] (2018); Terror, Sisters! [De la terreur, mes sœurs!] (2019). The music videos are: 'Les vacances continuent' by Perez (2015); 'Niemand' by Kompromat (2019); 'Our Time' by Imperial Teen (2002).

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

Unfamiliar stories that are universally relatable, these teenagers are put into situations which they have no experience deal with. A reflective anthology of French short films exploring the elation and heartbreak of not quite knowing who you are yet.

Unfamiliar stories that are universally relatable, these teenagers are put into situations which they have no experience deal with. A reflective anthology of French short films exploring the elation and heartbreak of not quite knowing who you are yet.

Unfamiliar stories that are universally relatable, these teenagers are put into situations which they have no experience deal with. A reflective anthology of French short films exploring the elation and heartbreak of not quite knowing who you are yet.

La historia se centra en una mujer (Aomi Muyock) que se une temporalmente a una familia de saqueadores que luchan por conseguir la paz en un mundo distópico en el que los inadaptados sociales tienen la supremacía.

La historia se centra en una mujer (Aomi Muyock) que se une temporalmente a una familia de saqueadores que luchan por conseguir la paz en un mundo distópico en el que los inadaptados sociales tienen la supremacía.

Three short films, out of the ordinary, brought together under a bewitching and enticing title. They are After School Knife Fight by the duo Poggi/Vinel, Les Îles by Gonzales, and Ultra Pulpe by Mandico. Three atmospheres, three sensitivities, going through three forms of expression (music, theatre and cinema) and which, put end-to-end, create an alternative pathway towards borrowed worlds of romance first, then obsession, and in the end, possession. Worlds of soft naivety, of nightmarish creatures and of pop fantasy, reminding us of the mysterious and velvety snatches of our dreams that stick to the spirit when one leaves them.

Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.

Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.

Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.

The filmmakers film young cosplayers posing in the streets of Paris.

Martin cries. He is alone. He woke up in the morning and all his friends were gone. Disappeared. Just not there. He sets off to look for them. And he searches everywhere, in the city, in the mountains, in the rivers, but he doesn’t find them. That makes him furious. Really furious – really sad. Rage, violence, longing, loneliness. Without fear of great feelings, without fear of one's own courage and without fear of violence, Jonathan Vinel tells a story of love and loss entirely based on elements from the computer game Grand Theft Auto V – beyond all kinds of tawdry notions and with extremely concrete physicality.

Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs on the wall of a man with a tiger in his arms. “Is that your father?” asks Anäis. “Yes, that’s my father. He’s the chairman of a tiger protection group in Thailand.” The father is Pierre Woodman, the famous pornographic film director. Lucas enters into an imaginary dialogue with his father. He makes an attempt to understand his father and makes an attempt at love himself – always in view of his father, who practised it incessantly.Then Lucas confers Anäis with a knighthood and fiction soars above reality.

Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs on the wall of a man with a tiger in his arms. “Is that your father?” asks Anäis. “Yes, that’s my father. He’s the chairman of a tiger protection group in Thailand.” The father is Pierre Woodman, the famous pornographic film director. Lucas enters into an imaginary dialogue with his father. He makes an attempt to understand his father and makes an attempt at love himself – always in view of his father, who practised it incessantly.Then Lucas confers Anäis with a knighthood and fiction soars above reality.

Lucas invites his girlfriend Anäis to visit him at home. His parents aren’t around. The garden is all theirs. They can make love there. A photograph hangs on the wall of a man with a tiger in his arms. “Is that your father?” asks Anäis. “Yes, that’s my father. He’s the chairman of a tiger protection group in Thailand.” The father is Pierre Woodman, the famous pornographic film director. Lucas enters into an imaginary dialogue with his father. He makes an attempt to understand his father and makes an attempt at love himself – always in view of his father, who practised it incessantly.Then Lucas confers Anäis with a knighthood and fiction soars above reality.

A cold and almost insubstantial world, enveloped in a soft atmosphere. Poggi and Vinel transform physical and extreme pulsions into hypnotic and misty images, spreading a sense of lightness.

Four filmmakers share a montage of their original ghost images and rushes on a mix of I've seen the future.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

In a moment of anger in a grocery store in Lausanne, a father loses patience and disciplines his disobedient child. A shocked customer immediately intervenes to express her concern. Other customers join the conversation and the discussion soon turns into a debate that gradually gets out of hand.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A video game love story.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

Short film made for the Ulule campaign for As Long as Shotguns Remain.

A fantasized portrait of Ashlynn Brooke.

A fantasized portrait of Ashlynn Brooke.

At the school gymnasium, a prince and his friends are training to commit an attack.

At the school gymnasium, a prince and his friends are training to commit an attack.

At the school gymnasium, a prince and his friends are training to commit an attack.

At the school gymnasium, a prince and his friends are training to commit an attack.

My neighbour committed suicide. He was car tuning at the end of his life. I played football with him. Child. And also ping-pong. Herepaired our computer. He was called Gilles my neighbour. We cannot play any more. In a room, a boy reminds himself his dead friends.

Early short by Jonathan Vinel.

As a small-town drug dealer named Pablo and a strange young man, Night, get into serious trouble, Apolline (Pablo's younger sister) has to deal with the discontinuation of Darknoon, a video game akin to some virtual paradise lost she's been playing for as long as she can remember.

As a small-town drug dealer named Pablo and a strange young man, Night, get into serious trouble, Apolline (Pablo's younger sister) has to deal with the discontinuation of Darknoon, a video game akin to some virtual paradise lost she's been playing for as long as she can remember.