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Casa Loma was the unfinished dream mansion of Canadian industrial magnate Henry Pellatt. A self-made millionaire, Pellatt was derided by fellow aristocrats for nouveau-riche pretentions: the house and its décor considered by many an ornate fake. Its original contents were sold at Pellatt’s bankruptcy auction in 1924. Today the building is a museum. The movie has three sections—the first in a cellar tunnel, the next in a first-story workroom near the stables, the third in the tower’s summit.
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Un joven solitario, llamado Ian, llega a un pueblecito del desierto. Ian trabaja haciendo reparaciones en la iglesia local y evita, en todo lo posible, el contacto humano. Ian se muestra muy receloso ante la llegada inminente de la luna llena, un miedo compartido por un hombre llamado Harker, el dueño de un circo ambulante de monstruos. Consciente de que Ian es un hombre lobo genuino, Harker le chantajea para que trabaje en su circo. Aunque Harker tiene un secreto: él es un vampiro. Pero Ian se alía con los otros monstruos del circo para destruir al malvado dueño.
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A group of young police officers make up for the harsh realities of working on mean streets by sharing a dream house at the beach in California.
Original Music Composer
Después de veinte años de casados, el matrimonio de Ken y Bárbara es pura y aburrida rutina. Físicamente envejecidos, creen que la única manera de reavivar el amor es rejuvenecer sus cuerpos a través de un gimnasio especializado en estética, pero todavía se deprimen más al ver a otros jóvenes de verdad en toda su belleza. Frustrados, deciden someterse a la cirugía. Resultado: ¡una pareja perfecta! Pero la reconquistada atracción mutua también lo es para terceros... Y terceras, y la relación entra en una peligrosa crisis. No se puede rejuvenecer veinte años sin pagar "ciertas consecuencias".
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A private eye hired to kill a man's wife warns her instead and then finds both are impostors.
Original Music Composer
After her father is injured, a teenager and an alcoholic employee struggle to save their financially troubled farm in 1954 Montana.
Original Music Composer
Baltimore. Sylvia ve cómo atacan a una chica desde la ventana del dormitorio de Terry, su amante. El agresor huye y su víctima se salva. Pero esa misma noche otra chica aparece asesinada.
Additional Music
C-3PO and R2-D2 are on their way to Biitu to meet their new master, Mungo Baobab, when their ship is attacked and they are taken prisoner. Biitu has been taken over by the giant mechanical Great Heep who works with the Empire, enslaving the natives by using droid enforcers and draining R2 units to keep up his strength. Meanwhile Mungo has been imprisoned to be handed over to his arch enemy Admiral Screed.
Original Music Composer
A former boxer known as Old Leather Face opens a nightclub called the Zoo, which does not do a good business. A group of homeless teenagers want to rent the place and start what they hope will be a profitable business, but a gang threatens to shut it down. Old Leather Face accepts the teenagers offer and becomes involved with trying to help them succeed.
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La película narra la odisea de dos animales que se escapan de un centro biológico, donde son sometidos a todo tipo de ensayos y barbaridades. La historia transcurre en dos lineas paralelas que convergen en el mismo objeto; el destino de los perros fugados.
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The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electric organ by Terry Riley.
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TELEVISION ASSASSINATION is one of two major works that Bruce Conner began in the days immediately following the Kennedy assassination and the artist's own thirtieth birthday, in the fall of 1963. While REPORT utilized montage and a strongly articulated structure to analyze the forces at work in the killing of a President (including our own complicity), TELEVISION ASSASSINATION is a complex, synthesizing work that weaves together fragments from the flux and flow of that history as it was in the process of being constructed and displayed daily to a nation of spectators. A monument to the enduring potency of the Kennedy myth and to the marketers who created it, the installation brings Conner's critique full-circle into the very medium that formalized it. In so doing, the work seems to suggest that the final resting place for the slain President was neither Brookline nor Arlington National Cemetery, but rather in the box, on the tube, held suspended forever on the television screen.
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Ellion Ness, a thoroughly professional stripper, goes through her paces, bares her body, and then, astonishingly and literally, transcends it. While the film makes a forceful political statement on the image of woman and the true meaning of stripping, the intergalactic transcendence of its ending locates it firmly within the mainstream of joyous humanism and stubborn optimism.
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A short film created during the production of Cool Hand Luke.
