Screenplay
1227, the last night of dying Genghis Khan. With promises and threats tyrant tries to persuade captive Otrar physician Akerke, the widow of the scientist, who was killed by Mongol soldiers, to save his life. But patriotic woman does not want to deliver the oppressor of his people and severely exposes his bloody tyranny of power.
Director
1227, the last night of dying Genghis Khan. With promises and threats tyrant tries to persuade captive Otrar physician Akerke, the widow of the scientist, who was killed by Mongol soldiers, to save his life. But patriotic woman does not want to deliver the oppressor of his people and severely exposes his bloody tyranny of power.
Writer
Based on an authentic story, and in the pure tradition of Soviet cinema, the tragic fate of a family of Polish Jews during World War II.
Director
Based on an authentic story, and in the pure tradition of Soviet cinema, the tragic fate of a family of Polish Jews during World War II.
Director
Marshal Karl Ivanovich
The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.
