Daniel Andrade

Luisa, de 45 años, regresa de un centro psiquiátrico después de una severa depresión postparto. Su deslumbrante hogar se vuelve su nuevo lugar de confinamiento, rodeada de su familia y una cuadrilla de empleados que se esfuerzan para que sus arrebatos permanezcan invisibles. Imposibilitada de seguir interpretando el rol de esposa y ama de casa perfecta, su única escapatoria es deslizarse elegantemente hacia la locura.

Luisa, de 45 años, regresa de un centro psiquiátrico después de una severa depresión postparto. Su deslumbrante hogar se vuelve su nuevo lugar de confinamiento, rodeada de su familia y una cuadrilla de empleados que se esfuerzan para que sus arrebatos permanezcan invisibles. Imposibilitada de seguir interpretando el rol de esposa y ama de casa perfecta, su única escapatoria es deslizarse elegantemente hacia la locura.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

A portrait of Jaime Roldos, Ecuador's first democratically elected president, who died with his family when their plane crashed in the mountains.

A portrait of Jaime Roldos, Ecuador's first democratically elected president, who died with his family when their plane crashed in the mountains.

Aurora, a divorced woman, receives a call from her 14 year old son's principal to let her know that he is being expelled on the last day of class. In an attempt to reach her son, she fights to fulfill her duties as a publicist, daughter, sister, and single mother. Meanwhile, her son deals with the insecurities of growing up. A chaotic city and an outdated education system trap mother and son in an increasingly impersonal world.

Matal es un pueblo pesquero en la costa de Manabi donde Blanquito (Andrés Crespo) vive con su madre. En este pueblo todo es tranquilo y cotidiano hasta que un día aparecen en la playa paquetes llenos de cocaína. Blanquito y una colombiana, Lorna (María Cecilia Sánchez), deciden emprender un viaje a Guayaquil, donde ella conoce gente que pagará hasta cinco veces más por cada paquete. Blanquito no sabe que en los próximos días perderá la cabeza por amor y que la realidad lo llevarán a cambios importantes en su vida.

El documental es un viaje personal en busca de dos abuelos: Remo, un médico autodidacta ecuatoriano que quiere descubrir la inmortalidad y Juan, militante comunista asesinado durante la dictadura chilena. El viaje de una nieta que crece entre el exilio y un universo mágico. Son dos historias, una cercana y otra enterrada. Sueños que se reflejan en dos paisajes: uno de montañas frondosas; el otro, árido y desolado.

With intertwined life stories, this film starts from the questions: Is Ecuadorian society essentially mestizo? What is a mongrel? This documentary aims to bring to the fore issues that have been poorly resolved both in the way in which Ecuador defines itself as a country, and in the subjectivity of its inhabitants.

A murder sets in motion a series of tragedies that find their way to the city morgue's Dr. Arturo Fernandez. Physically and emotionally isolated, Arturo develops an intimate relationship with the personal lives of his cases, forcing him to confront his connection to the living and the dead. This dark, serpentine tale offers a richly textured rendering of Ecuador's capital.

Although their ideological, social and economic differences, Christian and Juan Fernando have been able to maintain a strong friendship since childhood.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

Pedro Matías Ampudia (Aristides Vargas) es un bibliotecario que vive y trabaja en la ciudad de Quito,1​ capital de la Presidencia homónima dentro del imperio español en América. Luego de que las autoridades hispanas peninsulares recobraran el control del territorio tras una revuelta iniciada el 10 de agosto de 1809, cuando los criollos destituyeron al presidente Manuel Ruiz Urriés de Castilla e instalaron su propia Junta de Gobierno Autónoma, y de la que Ampudia formó parte, este fue apresado junto con los demás implicados en la asonada. Ampudia planea huir del encierro ayudado por su amante mestiza Judit (Marilú Vaca), hija de un reconocido pintor de la escuela quiteña de arte,1​ de quien también se enamora peligrosamente el coronel español Manuel Arredondo (Gonzalo Gonzalo), jefe de las tropas llegadas desde Lima para reprimir la insurrección en la ciudad y custodiar a los presos

La película cuenta la historia de Galo Gálvez durante la década de los sesenta en la ciudad de Quito. Un intelectual que lucha entre la marginación del Partido Comunista y la mala convivencia con su compañera de partido Margamaría, quien ha sido su novia desde la niñez. Basada en la novela de Jorge Enrique Adoum (1976), en el film el autor se vuelve un personaje, narrando lo que viven sus amigos y sus propias fantasías, así la película se vuelve entre real e imaginaria.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Miranda es una profesora de 48 años que cambia su perspectiva de vida cuando escucha denuncias de situaciones de acoso y abuso por parte de las alumnas del colegio en el que da clases. En el curso de un fin de semana decidirá que es tiempo de oír su voz y al mismo tiempo, hacerla oír junto a muchas otras.